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The Front Runner (2018)

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In 1987, U.S. Senator Gary Hart's presidential campaign is derailed when he's caught in a scandalous love affair.

Director:

Jason Reitman
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1,023 ( 465)
1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Hugh Jackman ... Gary Hart
Vera Farmiga ... Lee Hart
J.K. Simmons ... Bill Dixon
Mark O'Brien ... Billy Shore
Molly Ephraim ... Irene Kelly
Chris Coy ... Kevin Sweeney
Alex Karpovsky ... Mike Stratton
Josh Brener ... Doug Wilson
Tommy Dewey ... John Emerson
Kaitlyn Dever ... Andrea Hart
Oliver Cooper ... Joe Trippi
Jenna Kanell ... Ginny Terzano
RJ Brown ... Bill Martin
Alfred Molina ... Ben Bradlee
Mamoudou Athie ... AJ Parker
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Storyline

Gary Hart, a U.S. senator from Colorado, is the widely accepted front-runner in the race for the Democratic presidential nomination. After losing the 1984 nomination to vice-president Walter Mondale, Hart decides to run for President of the United States. At one point during his campaign, against the will of his manager Bill Dixon, Hart challenges the press and public to "follow him around" while he's not campaigning on weekends. This proves to be a mistake when in 1987, photos of him and journalist Donna Rice are published by Miami Herald Reporters. In a desperate attempt to clear his name, Hart tries to fix his reputation at a news event concerning the affair but to no avail. Because of the consequences of his actions, Hart is disgraced, berated by Dixon, and forced to drop out of the campaign while his wife Oletha remains to be close with him. Donna also announces that she has personally denied sleeping with the now former senator..

Plot Summary | Add Synopsis

Taglines:

The Week America Went Tabloid See more »


Motion Picture Rating (MPAA)

Rated R for language including some sexual references | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA | Canada

Language:

English

Release Date:

21 November 2018 (USA) See more »

Also Known As:

The Front Runner See more »

Filming Locations:

Atlanta, Georgia, USA See more »

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Box Office

Opening Weekend USA:

$51,543, 11 November 2018, Limited Release

Gross USA:

$2,000,105, 20 December 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film was made with only technology that was available in the 80's. See more »

Goofs

The film begins in 1984 then the screen displays "4 years later" but it actually picks up in early 1987. See more »

Quotes

Bill Dixon: We're talking about how you get through today without pissing away everything we've all worked for on this campaign! If you lose this, we can kiss the White House goodbye.
See more »


Soundtracks

Salute to the President
(aka "Decision '84")
Written by Henry Mancini
Performed by Henry Mancini
Courtesy of Henry Mancini Enterprises, Inc.
See more »

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User Reviews

 
"Scandal" that no longer seems so scandalous.
12 January 2019 | by bob-the-movie-manSee all my reviews

The Front Runner is based on the true-story of US presidential hopeful Gary Hart (Hugh Jackman) and if you are NOT aware of the historical background (and have not seen the trailer) then you might want to skip the rest of this review - and all other reviews - so you can see the film first and let the history come as a surprise to you.

Hart was younger than most candidates: good-looking, floppy-haired and refreshingly matter of fact in his dealings with the public and the press. Any interviews had to be about his politics: not about his family life with wife Lee (Vera Farmiga) and teenage daughter Andrea (Kaitlyn Dever).

Unfortunately, Hart has a weakness for a pretty face (or ten) and his marriage is rocky as a result: "Just don't embarrass me" is Lee's one requirement. His "nothing to hide" line to an intelligent Washington Post reporter - AJ Parker (a well cast Mamoudou Athie) - leads to a half-arsed stake-out by Miami Herald reporters and incriminating pictures linking Hart to a Miami pharmaceutical saleswoman Donna Rice (Sara Paxton). As the growing press tsunami rises, and his campaign manager (J.K. Simmons) gets more and more frustrated with him, can his candidacy survive and will his (now very much embarrassed) wife stick by him?

Hugh Jackman is perfectly cast here; very believable as the self-centred, self-righteous and stubborn politician. But this central performance is surrounded by a strong team of supporting players. Vera Farmiga is superb as the wounded wife. Sara Paxton is heartbreaking as the intelligent college girl unfairly portrayed as a "slapper" by the media. The scenes between her and Hart-staffer Irene (Molly Ephraim), trying desperately to support her as best she can, are very nicely done. J.K Simmons as campaign manager Bill Dixon is as reliable as ever. And Alfred Molina turns up as the latest film incarnation of The Post's Ben Bradlee - surely one of the most oft portrayed real-life journalists in film history.

One of my biggest dissatisfactions with the film is with the sound mixing. Was this a deliberate act by director Jason Reitman, to reflect the chaotic nature of political campaigning? Whether it was deliberate or not, much of the film's dialogue - particularly in the first 30 minutes of the film - is drowned out by background noise. Sometimes I just longed for subtitles!

The screenplay, by Matt Bai (from his source book), Jay Carson (a Clinton staffer) and director Jason Reitman might align with the story, but the big problem is that the story is just a little bit dull, particularly by today's levels of scandal. This suffers the same fate as "House of Cards" (even before the Kevin Spacey allegations) in that the shocking realities of the Trump-era have progressively neutered the shock-factor of the fiction: to the point where it starts to become boring. Here, only once or twice does the screenplay hit a winning beat: for me, it was the scenes between Donna Rice and Irene Kelly and the dramatic press conference towards the end of the film. The rest of the time, the screenplay was perfectly serviceable but nothing spectacular.

A core tenet of the film is Hart's view that politics should be about the policies and not about the personality. Looking at the subject nowadays, it's clearly a ridiculously idealistic viewpoint. Of course it matters. Politicians need to be trusted by their constituents (yeah, like that's the case in the UK and the US at the moment!) and whether or not they slap their wives around or sleep with farm animals is clearly a material factor in that relationship. But this was clearly not as much the case in the 70's as it is today, and the suggestion is that the Hart case was a turning point and a wake-up call to politicians around the world. (An interesting article by the Washington Post itself points out that this is also a simplistic view: that Hart should have been well aware of the dangerous game he was playing.)

Do you think that powerful politicos are driven to infidelity because they are powerful? Or that it is a characteristic of men who have the charisma to become political leaders in the first place? Such was the discussion my wife and I had in the car home after this film. Nature or political nurture? I'm still not sure. It's worth pointing out that to this day both Hart and Rice (interestingly, an alleged ex-girlfriend of Eagles front-man Don Henley) stick to their story that they never had sex.

The film's perfectly watchable, has great acting, but is a little bit of a non-event. The end titles came and I thought "OK, that's that then".... nothing more. If you're a fan of this style of historical political film then you probably won't be disappointed by it; if not, probably best to wait and catch this on the TV.

(For the full graphical review please check out One Mann's Movies on the web or Facebook. Thanks).


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