Circa 1969, several strangers, most with a secret to bury, meet by chance at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors - before everything goes to hell.
Stephanie is a single mother with a parenting vlog who befriends Emily, a secretive upper-class woman who has a child at the same elementary school. When Emily goes missing, Stephanie takes it upon herself to investigate.
Set in the near-future, technology controls nearly all aspects of life. But when Grey, a self-identified technophobe, has his world turned upside down, his only hope for revenge is an experimental computer chip implant called Stem.
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
John David Washington,
Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg, Cable.
Six strangers, (Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Cailee Spaeny and Lewis Pullman) each with their own secrets, meet at the El Royale hotel of Lake Tahoe. Taking place over one night, alliances are made, secrets are revealed and a cult, lead by an evil man (Chris Hemsworth) comes along as well.
An overlong, pretentious homage to Agatha Christie (Ten Little Indians) Steven King (The Shining) and the TV film Helter Skelter, "Bad Times at the El Royal" is a generally tedious, disappointing, and ultimately gory portrayal of "unlikable people acting badly," my personal worst form of cinema.
Individual performances by Jeff Bridges, Cynthia Erivo, Dakota Johnson, and Jon Hammx are brilliant, and some production values are excellent, but many of the quick cuts between past, present, future, and contemporaneous events are ill-conceived and anachronisms abound. Why are 1960s songs on a Juke box played on 78rpm records? Why is an impoverished singer driving a mint-condition classic 1951 Studebaker in the 1970s?
Evidently filmed in British Columbia, "Bad Times" so far detached from objective reality as to be allegorical, if not incredible - requiring far too much suspension of disbelief and tolerance of gore to be enjoyable.
86 of 177 people found this review helpful.
Was this review helpful to you?
| Report this