In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
Kristin Scott Thomas
Ballerina Dominika Egorova is recruited to 'Sparrow School,' a Russian intelligence service where she is forced to use her body as a weapon. Her first mission, targeting a C.I.A. agent, threatens to unravel the security of both nations.
When American military analyst, Daniel Ellsberg, realizes to his disgust the depths of the US government's deceptions about the futility of the Vietnam War, he takes action by copying top-secret documents that would become the Pentagon Papers. Later, Washington Post owner, Kay Graham, is still adjusting to taking over her late husband's business when editor Ben Bradlee discovers the New York Times has scooped them with an explosive expose on those papers. Determined to compete, Post reporters find Ellsberg himself and a complete copy of those papers. However, the Post's plans to publish their findings are put in jeopardy with a Federal restraining order that could get them all indicted for Contempt. Now, Kay Graham must decide whether to back down for the safety of her paper or publish and fight for the Freedom of the Press. In doing so, Graham and her staff join a fight that would have America's democratic ideals in the balance.Written by
Kenneth Chisholm (firstname.lastname@example.org)
In his memoir, the real Daniel Ellsberg claimed that walking out of RAND with the Pentagon Papers (and returning them) over the course of months was a calculated risk, since he had never had his bag checked by security, but he did not know for sure if it was not policy to do so. See more »
In several scenes, NY Times' Abe Rosenthal has visible lines showing along his forehead and hairline where the wig was glued down causing the skin to ripple and crease around it. The hairlines of the wigs on several other characters are also quite noticeable and distracting at times. See more »
We have to be the check on their power. If we don't hold them accountable, then, my God, who will?
Well, I've never smoked a cigar. And I have no problem holding Lyndon or Jack or Bob or any of them accountable. We can't hold them accountable if we don't have a newspaper.
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The 20th Century Fox logo is shown, but we do not hear the usual fanfare. Instead, we just hear the sound effects of the action in Vietnam which leads into the first scene of the film. See more »
Print media may be dead, but the crusader journalist movie is alive and well. "The Post" is just as much a paean to the newspaper's heyday as it is a warning against corrupt government, complete with top-shelf cast. Given the Washington Post's lasting legacy (to this day), you can easily tell that the Pentagon Papers weren't the certain doom they seemed to spell out for the paper. Yet Spielberg jumps right into the material, creating excitement even in mundane printing press scenes. This is a stirring tale, masterfully directed and timelier than ever.
Sure, it's probably Oscar-bait, but you can't argue with that level of quality.
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