Double crosses, adultery, murder, mistaken identity, and revenge ensue when a mysterious power player and his sultry wife hire a disgraced Los Angeles property broker to discreetly market and sell their Malibu villa.
In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
Kristin Scott Thomas
From the proverbial wrong side of the tracks in Portland, Oregon, former competitive figure skater Tonya Harding was never fully accepted in the figure skating community for not inherently being the image of grace, breeding and privilege that the community wanted to portray, despite she being naturally gifted in the sport athletically. Despite ultimately garnering some success in figure skating being national champion, a world championship medalist, an Olympian, and being the first American woman to complete a Triple Axel in competition, she is arguably best known for her association to "the incident": the leg bashing on January 6, 1994 of her competitor, Nancy Kerrigan, who, unlike Tonya, was everything that the figure skating community wanted in their representatives. Her association to that incident led to Tonya being banned from competitive figure skating for life. Tonya's story from the beginning of her figure skating life at age four to the aftermath of the incident is presented...Written by
Although Margot Robbie trained extensively for the role, she was not able to perform a triple axel, nor could a skating double be found to do so, as very few women figure skaters are able to perform the jump. Producer Tom Ackerley stated, "There has been only six women since Tonya who have done a triple axel, even if there was one who was doing it today, she'd be training for the Olympics and couldn't risk doing it for the film." The jump was accomplished with the use of visual effects. See more »
At the 1991 U.S. Figure Skating Championships, judge number nine, Roger A. Glenn of Appleton, Wisconsin, awarded Tonya a perfect 6.0 for technical merit in the free skate. In the film, a 5.9 is indicated on the board. See more »
If I could have voted online for the best movie that I saw at TIFF 2017 (the voting was limited to iPhone and Android users), it would have been for this film, which wound up second in the People's Choice award competition. Director Craig Gillespie has tackled a difficult subject brilliantly without removing the considerable number of warts from the main characters. This film should garner a considerable number of Oscar nominations, including best picture and director.
Margot Robbie should be a lock for a Best Actress nod, completely burying her Australian background to deliver American white trash with complete credibility. (She won't win of course, because ... Tonya.) Her skating sequences are edited brilliantly - you really believe that it's her.
THE surest Oscar bet has to be Allison Janney as Tonya's acerbic, domineering, Swisher-chain-smoking mother LaVona Golden. She gives what I call a "schizophrenia" performance - there's no way that anyone seeing JUNO and this film back-to-back would ever notice that the mothers in both films are played by the same actress. Robbie got the loudest applause when the actors were introduced before the film, but when they came out afterwards, Janney's applause was equivalent to hers.
The story sticks to facts and places most of the blame for the Kerrigan incident on Sean Eckhardt, played with spot-on obnoxiousness by Paul Walter Hauser. The rest goes to hubby-at-times Jeff Gillooly, played by Sebastian Stan. He handles the husband-to-a-celebrity role with a charm not seen since Eric Roberts in STAR 80.
The subject matter may cost the film at awards time, but it's still an excellent movie that you should definitely check out if you have any interest at all in the story.
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