Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
Lisbeth is recovering in a hospital and awaiting trial for three murders when she is released. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
Circa 1969, several strangers, most with a secret to bury, meet by chance at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors - before everything goes to hell.
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
In Stockholm, Sweden, vigilante hacker Lisbeth Salander is hired by computer programmer Frans Balder to retrieve Firefall, a program capable of accessing the world's nuclear codes that he developed for the National Security Agency, as Balder believes it is too dangerous to exist. Lisbeth successfully retrieves Firefall from the NSA's servers, attracting the attention of agent Edwin Needham, but is unable to unlock it, and the program is later stolen from her by mercenaries led by Jan Holtser, who also attempt to kill Lisbeth. When she doesn't attend their scheduled rendezvous, Balder mistakenly believes Lisbeth decided to keep Firefall for herself and contacts Gabrielle Grane, the deputy director of the Swedish Security Service (Säpo), who moves Balder and his young son August to a safe-house. Meanwhile, Needham tracks the unauthorized login to Stockholm and arrives to seek Lisbeth and Firefall..
Although the universe of the Millenium saga is crude and dark, costume designer Carlos Rosario has designed a more accessible Lisbeth. See more »
The notion of a program that cannot be copied only moved makes little sense.
A file move operation reads the file from the source location and creates a copy at the destination location. It then marks the original file for deletion by the operating system on the source computer. The computer that is doing the copying cannot force the source computer to delete the file, only mark it as such.
The computer that is holding the source file has no control over the computer that is writing the copy of the file to the destination location, It cannot force the destination computer to erase its copy if the deletion of the original file fails.
The notion that only one copy of a program can exist is possible if all computers have software can control the copy, such that it will not finalise the copy until the source location is securely erased, this is often classed as Digital Rights Management software.
In the context of the film transferring a file across many computers, where each one would not be under the scope of such DRM software means any one of those servers could have taken a copy and the notion a file can only exist in one place and a second copy cannot be created is not possible. See more »
In Singapore; the theatrical release was edited in order to obtain an NC16 classification (after the uncut version was passed M18); the distributor chose to remove brief sexual images in three scenes (sight of two characters having sex on a mobile phone screen, a shot of full female nudity and some discreet sexual images in a nightclub). The film remains uncut in all other countries worldwide. See more »
After the American "The Girl with the Dragon Tattoo" did just okay at the box office, I'm guessing that the studio got worried about how they'd handle another one. This film is clearly made to be more American audience friendly and switched from a semi-down-to-Earth thriller to more traditional action film. This is far from a pure adaptation and the events and characters of the book have become simplified. I feel that this is a poor Millennium movie but as an action movie its not half-bad.
I gave "The Girl in the Spider's Web" this rating based on the intellectual side of me that wants to give others an honest appraisal and recognizes the fault in the script. The movie jumps from plot point to point too quickly without much substance, and Blomkvist, one of the two main characters in the books, is treated as an afterthought here. Though, I must admit I didn't mind at all the change to Lisbeth's past and her dynamic with her sister. I rather felt it worked here.
The fun side of me, would've bumped this up a point. The visual presentation is pretty darn good. Director Fede Alvarez, who did the Evil Dead remake and Don't Breathe has honed his skills in dark action visuals. I found there to be some pretty impressive and at times freaky imagery in this. The fight scenes, though often brief, are well executed. As a whole, the movie looks good in general with a couple really nice shots.
Though Claire Foy does an admirable job as a decent job as Lisbeth Salander, she doesn't compare to Noomi Rapace or Mara Rooney. (Same can be said for the guy who played Blomkvist.) In fairness to Foy, the film pulls more punches as Lisbeth's anti-social/on-the-spectrum traits are toned down and the character feels a bit more average. Props should be give to Sylvia Hoeks as the villain. She is effectively unsettling.
This movie will probably infuriate some fans. It's impure. I would actually recommend this more to casual viewers.
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