The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award nominee Martin McDonagh (In Bruges). After months have passed without a culprit in her daughter's murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town's revered chief of police. When his second-in-command Officer Dixon (Academy Award winner Sam Rockwell), an immature mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement is only exacerbated.Written by
Fox Searchlight Pictures
This is the first movie since Bugsy (1991) to have two Academy Awards nominations in the Best Actor in a Supporting Role category. See more »
The burning billboards are Hollywood trickery. Fires do not burn just on one side of a wooden billboard. The amount of flames would have burned through them, leaving jagged pieces of wood and ash.
Secondly, the billboards showed no structural damage when the surface was being papered again. There is no way that the billboards would just have had burned paper and not the wooden structure beneath it also. See more »
[walking into his office]
You Red Welby?
Yes, ma'am. How may I help you?
I heard there's three billboards out on Drinkwater Road. You're in charge of renting them out, that right?
I didn't know we had any billboards out on Drinkwater. Where is Drinkwater Road?
It's a road out past the Sizemore turn-off. Nobody uses it since the freeway got put in.
You are right. Got three billboards out there. Nobody's put nothing up out there since 1986. That was 'Huggies'.
How much to rent out all...
[...] See more »
Buckskin Stallion Blues
Written and Performed by Townes van Zandt
Published by JTVZ Music (ASCAP), Will Van Zandt Publishing (ASCAP), Katie Bell Music (ASCAP)
Administered by Wixen Music Publishing, Inc.
All Rights Reserved. Used by Permission.
Published by EMI United Partnership Ltd / EMI Music Publishing Ltd
Courtesy of Sugar Hill Records, a division of Concord Music Group, Inc.
Under license from Universal Music Operations Ltd. See more »
A thought-provoking and darkly comedic drama with lots to say.
"Three Billboards outside Ebbing, Missouri" marks a milestone for writer/directer Martin McDonagh and is an idea piece on a mother's struggle with her town after posting billboards containing a call to action in regards to her murdered daughter. With outstanding screen writing and near perfect editing, this powerhouse of a film is easily one of the best all year and is driven with force and intensity by its lead, Frances McDormand.
What begins as a narrow and focused drama, gradually escalates to a film with big themes and ideas, relevant social commentary, and much more subplots than anticipated. "Three Billboards outside Ebbing, Missouri" is packed with questions and a few answers about anger, revenge, violence, and kindness. The story shows people in a realistic light I've never quite seen before. We're presented with characters and their genuine emotions. Nothing feels sugarcoated of fluffed but it never lacks emotional impact either.
The movie balances its seemingly contradictory tones beautifully by crafting a dark comedy that feels heavy due to strong subject matter, while at the same time, utilizing comedic moments that feel completely natural to the character's motivations. It's obvious great care was taken into this script and the method in which it's constructed.
One of the most talked about elements to this film are the strong performances; particularly by Frances McDormand and Sam Rockwell. Rightfully so, this is some of their best (if not their best) work these eyes have beheld and they steal the show in every film they're in. That's not take away from Woody Harrelson and Lucas Hedges, as well as the entire cast who give memorable performances and paint shockingly believable characters that we feel we know personally.
If there is anything that might turn audiences away from this film, it might be its harsh subject matter despite none of it every being depicted as well as its language and execution with the material. Personally, this has a strong impact and I wouldn't have changed anything about it. It's a highly recommended film with a lot to ponder at the end and is definitely a contender for best movie of the year. Definitely don't miss this one.
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