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A young married couple's lives are thrown into a harrowing tailspin when an acquaintance from the husband's past brings mysterious gifts and a horrifying secret to light after more than 20 years.

Director:

Joel Edgerton

Writer:

Joel Edgerton
Reviews
Popularity
908 ( 70)
2 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jason Bateman ... Simon
Rebecca Hall ... Robyn
Joel Edgerton ... Gordo
Allison Tolman ... Lucy
Tim Griffin ... Kevin 'KK' Keelor
Busy Philipps ... Duffy
Adam Lazarre-White ... Ron
Beau Knapp ... Detective Walker
Wendell Pierce ... Detective Mills
Mirrah Foulkes ... Wendy Dale
Nash Edgerton ... Frank Dale
David Denman ... Greg
Katie Aselton ... Joan
David Joseph Craig ... Stewart (as David Craig)
Susan May Pratt ... Rhonda Ryan
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Storyline

Simon and Robyn are a young married couple whose life is going just as planned until a chance encounter with an acquaintance from Simon's high school sends their world into a harrowing tailspin. Simon doesn't recognize Gordo at first, but after a series of uninvited encounters and mysterious gifts prove troubling, a horrifying secret from the past is uncovered after more than 20 years. As Robyn learns the unsettling truth about what happened between Simon and Gordo, she starts to question: how well do we really know the people closest to us, and are past bygones ever really bygones? Written by STX Entertainment

Plot Summary | Plot Synopsis

Taglines:

The Sins Of The Past Will Become Your Present. See more »


Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Australia | China

Language:

English

Release Date:

7 August 2015 (USA) See more »

Also Known As:

Weirdo See more »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$11,854,273, 9 August 2015, Wide Release

Gross USA:

$43,771,291, 4 October 2015
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Datasat

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Joel Edgerton and Jason Bateman also appeared together in Smokin' Aces (2006). See more »

Goofs

The glass coffee container handle (just before the argument in the kitchen) changes direction. See more »

Quotes

Simon: Holy shit. I'm an asshole, Robyn, okay? I made his life a living hell and I treated him like shit. Is that what you're trying to figure out? That I was an asshole? I was an asshole, okay? My dad was an asshole to me, treated me like shit. But I took it. I sucked it up. I'm not on my hands and knees crying about it, praying about it. Stuck in the fucking past about it. I moved on. I made something of my life. This world's about fucking winners and losers, and we're all in the same shitty ...
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Connections

Referenced in Central Intelligence (2016) See more »

Soundtracks

Romantic Interlude
Written and Performed by Eric Bolvin
Courtesy of Chicago Music Library
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User Reviews

Compelling thriller for end of summer.
6 August 2015 | by jdesandoSee all my reviews

Billed as a mystery and a thriller, Joel Edgerton's The Gift is indeed both of those and more. The sub genre might be "home invasion" of a figurative and a real kind, reminiscent of The Hand That Rocks the Cradle. Equally so it's a home horror film, for some of the traditional tropes of that genre are in place (e.g., missing dog, running faucet) waiting around the corner of any room so to speak.

Super security salesman Simon (Jason Bateman) is happily married to interior designer Robyn (Rebecca Hall). Their new LA home is wall to wall windows, all the better for bad forces to look in and to ironically comment on the lack of transparency inside the home as well as a security expert's vulnerability. Then Simon's old high school friend, weirdo Gordo (Joel Edgerton), visits with gifts and memories of a troubled past.

Their home is indeed invaded, not just by nerdy, strange Gordo, who has a bad habit of showing up at odd times and gaining access at even odder ones, but by the past, which is creeping up on the couple despite Simon's will to leave it all behind and Gordo's to "let bygones be bygones." The film bears its tensions well, distributing its exposition of the past in the present slowly.

The Gift doesn't just give the present a chance to come to terms with the past; it also comments on privacy, security, and bullying while serving up a fine stew of ironies and suspense. As for bullying, not the first time in a thriller, it plays out from high school days to adult days in a surprisingly subtle way, forcing us over the long haul of the film's 108 minutes to see it lurking like a clichéd ghost or murderer.

Marriage is also a subject in this taut film, namely how much do we really know about our partners or anyone close to us? This film could make anyone a skeptic about the goodness of your fellow travelers. Speaking of which, Gordo is the outsider, whom writer Flannery O'Connor liked to write about because "he changes things." Gordo is an agent of change, an avenging angel of the past and a messenger for the future.

Smart thriller for late summer.


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