Johnny is a successful banker who lives happily in a San Francisco townhouse with his fiancée, Lisa. One day, inexplicably, she gets bored with him and decides to seduce his best friend, Mark. From there, nothing will be the same again.
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
6 Los Angeles celebrities are stuck in James Franco's house after a series of devastating events just destroyed the city. Inside, the group not only will have to face with the apocalypse, but with themselves.
Aspiring actor Greg Sestero befriends the eccentric Tommy Wiseau. The two travel to L.A, and when Hollywood rejects them, Tommy decides to write, direct, produce and star in their own movie. That movie is The Room, which has attained cult status as the "Citizen Kane" of bad movies.Written by
To promote the film the distributor rented the same billboard on Highland Avenue in Los Angeles that Tommy Wiseau rented for five years to promote The Room (2003), mimicking the layout of the original billboard and including a phone number to RSVP to screenings. See more »
Between cuts once Tommy and Greg are in front of the screen at the premier, Tommy's sunglasses move from being on his head to on his face. See more »
If you were to ask the five best filmmakers in the world right now to make a movie like this... it... it wouldn't even be in the same universe.
I was blown away. Like, like three minutes in, I turn to my friend, "This is the fucking greatest movie I've ever seen in my life."
It has withstood, like, ten years? And people are still watching a movie and talking about a movie. People aren't doing that about whatever won the Oscar for Best Picture ten years ago.
What genius is...
[...] See more »
While Corona's song "Rhythm Of The Night" plays over the credits, you can hear Tommy(Franco) singing along to the song. See more »
So yeah, The Room is pretty well-known by now, becoming just about the most popular 'so bad it's good' film of all time over the last six or seven years, as has the story behind it- as detailed in Greg Sestero's book, The Disaster Artist.
So being a fan of both, I had a good idea of what I was in for, approaching the James Franco directed The Disaster Artist, but I'm pleased to say the film ended up meeting my expectations and then some.
First things first: James Franco's performance in this is incredible. His accent and mannerisms are a spot-on imitation of Wiseau's, and he manages to make you feel sympathy towards the character too. It's one thing to so directly portray such a unique individual and make doing so incredibly funny, but it's another thing entirely to make him feel (almost) like a real person, and to make you genuinely care for him. I'm not exaggerating when I say that I truly think this performance is worth an Academy Award nomination (fingers crossed).
Everyone else was good too. Dave Franco had a less flashy role than his brother's, sure, playing Greg Sestero, but he did a good job as the more grounded, 'straight man' type character. And some of the casting was genius too- I could list almost everybody, but special mention should go to Josh Hutcherson, Zac Efron, and Jacki Weaver.
Also worth mentioning is how well the cast and crew recreated the look of the original The Room- the mannerisms of the actors, the set design, the lighting, the camera-work- it's all perfect. It makes the film an impressive technical achievement in many regards; not simply a funny film with inspired casting and good performances.
As for downsides? There aren't a whole bunch. Perhaps the most significant is that this may not have a great deal of appeal beyond those who've watched and loved The Room already. I'm sure it would still function as a good film, but it might lack something for those who aren't already indoctrinated into the cult of The Room. Other nitpicks I could think of may be that the film is fairly conventional in terms of plot- not a ton of surprises here (other than maybe a few cameos throughout). And it feels a tiny bit longer than just over 100 minutes- but again, that's a nitpick. I am more or less struggling to think of too much that I personally didn't like with this film.
So as a long time fan of The Room, this is about as good as I hoped it could be. I hope I'm wrong in my views that the audience for this will be limited, and that it does have appeal beyond hardcore fans of The Room. And hey, if there's enough buzz behind it to allow for James Franco to earn an Oscar nomination, then that would be fantastic.
And deserved (in my opinion).
This is one of the most pleasant surprises of the film year so far, and second only to Tim Burton's Ed Wood in the (admittedly probably non-existent) sub-genre of films about making terrible movies.
If you've ever watched The Room, or even just watched some of its scenes on Youtube, make sure you don't miss this one.
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