The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
GRAND BUDAPEST HOTEL recounts the adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend. The story involves the theft and recovery of a priceless Renaissance painting and the battle for an enormous family fortune -- all against the back-drop of a suddenly and dramatically changing Continent.Written by
Fox Searchlight Pictures
The soundtrack features a rare instrument; the balalaika, a 3-stringed, triangular-shaped Russian folk instrument that was carefully chosen by Wes Anderson. Balalaikas come in various sizes, much like the violin, from prima to contrabass. Several dozen players from France and Russia gathered in Paris to record the soundtrack in Anderson's presence. The instrument is heard throughout the movie, but is most prominent in the second part of the official trailer (down the ski slopes) with the balalaika's most popular theme, "The Moon Shines" (svetit mesyats). See more »
Mr. Moustafa and Young Writer sit to dine. Mr. Moustafa orders two ducks roasted with olives, rabbit and salad. Later, after the prison scene with Pinky, Gunther, Wolf & Ludwig, we return to the dining room where the narrator says:
"At this point in the story the old man fell silent and pushed away his saddle of lamb." See more »
It is an extremely common mistake. People think the writer's imagination is always at work, that he's constantly inventing an endless supply of incidents and episodes; that he simply dreams up his stories out of thin air. In point of fact, the opposite is true. Once the public knows you're a writer, they bring the characters and events to you. And as long as you maintain your ability to look, and to carefully listen, these stories will continue to...
[...] See more »
The film title appears on a book a present-day Lutz resident reads, homaging the film as a narrative memoir. See more »
Wes Anderson is one of the most original film makers working today. None of his films can be categorized into any particular genre. His latest, The Grand Budapest Hotel, which opened the Berlin Film Festival, continues that trend. It is a tale within a tale within another tale. Whilst every shot has been meticulously arranged as though a work of Art hanging in a museum, story wise Anderson has let his imagination run wild. Though the tale (with Tom Wilkinson as the author of the story) and the tale within the tale (with Jude Law as the young author & F Murray Abraham as the mysterious owner of THe Grand Budapest Hotel) have straightforward narratives, the tale within the tale within the tale, which comprises the bulk of the film and is set in the years preceding the Second World War, is a wild uproarious train ride of story telling. It also boasts the cast of a life time: Ralph Fiennes, Tilda Swinton, Edward Norton, Adrien Brody, Willem Dafoe, Harvey Keitel, Jeff Goldblum, Bill Murray, Owen Wilson & countless cameos. It will delight Anderson fans but is more likely destined for Art house cinemas as it is too off center for mainstream audiences. The production design and music are outstanding and even the end credits are imaginatively done (and received another ovation from the audience).
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