Psychologist Margaret Matheson and her assistant study paranormal activity, which leads them to investigate a world-renowned psychic who has resurfaced years after his toughest critic mysteriously passed away.
The skeptical psychologist Dr. Margaret Matheson and her assistant, physicist Tom Buckley, are specialists in disclosing fraudulent paranormal phenomena. When the famous psychic Simon Silver reappears to his public after many years of absence, Tom becomes singularly obsessed in determining whether Silver is a fraud or not.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In a classroom scene (0:13:32 into the film), Margaret draws four X's around a circle: top, left, bottom, and right. When she draws the X on the right, she does not lift the marker and, having done it quickly, makes the X look more like a fish shape with two west-end tips of the X connected; however, the following camera angles show all four X's as full X's - no "fish." See more »
Rodrigo Cortes has all the makings of an auteur. "Red Lights" really puts the hook in viewers, and is hard to stop watching once it gets going. You get the feeling Cortes is quite enthusiastic, just dying to tell you this yarn. His script is well-written, intelligent, and never bamboozles. Elisabeth Olsen is incandescent, and the performances from all the leads have them in top form. Some may criticize the film as being overproduced: many sequences are bursting forth with camera angles and takes, and these combined with Cortes's fulminating style of editing sometimes give the film the feel of "Desperate Hours." But I loved this film, loved the color palette, loved the patois and exposition, and admire Cortes's confident bombast. Great things are coming from this filmmaker.
6 of 7 people found this review helpful.
Was this review helpful to you?
| Report this