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The Commuter (2018)

PG-13 | | Action, Crime, Drama | 12 January 2018 (USA)
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An Insurance Salesman/Ex-Cop is caught up in a criminal conspiracy during his daily commute home.

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(story by), (story by) | 3 more credits »
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Cast

Cast overview, first billed only:
... Michael MacCauley
... Joanna
... Alex Murphy
... Walt
... Captain Hawthorne
... Karen MacCauley
... Dylan
... Vince
... Tony
... Eva
... Jackson
... Gwen
... Danny MacCauley
... Sofia
Nila Aalia ... Sherri
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Storyline

Now a hard-working life insurance salesman and a caring family man, the former police officer, Michael MacCauley, has taken the commuter rail to New York for the past ten years. But, unexpectedly, things will take a turn for the worse, when on one of his daily journeys, the cryptic passenger, Joanna, makes Michael a generous and tempting offer to locate a single commuter or face grave consequences. Is this a sick joke, or is this indeed a serious situation? As Michael races against the clock to solve this wicked conundrum, everyone aboard is a suspect, in a deal where there's definitely more than meets the eye. Can he decide in time who's the one? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

Lives Are On The Line See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some intense action/violence, and language. | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

12 January 2018 (USA)  »

Also Known As:

El pasajero  »

Filming Locations:

 »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$13,701,452, 14 January 2018, Wide Release

Gross USA:

$36,343,858, 15 March 2018

Cumulative Worldwide Gross:

$59,142,483, 28 January 2018
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Patrick Wilson plays a cop named Alex Murphy. This also happens to be the titular character's name in another cop movie; RoboCop (1987), although it is unclear if the reference is intentional or coincidental. See more »

Goofs

Ten Mile River is in the Harlem line, not the Hudson line. Shows driver at front window with train going North - not possible. Trains to Cold Spring are diesel, not electric. An end window would be at the back of the train. The train is going North but Hudson is on the right of the train. Wrong side. See more »

Quotes

[repeated line]
Michael MacCauley: What's in the bag?
See more »

Crazy Credits

The end credits are done in the style of a train map. See more »

Connections

Referenced in Filmbarátok Podcast: Episode #1.137 (2018) See more »

Soundtracks

In the Mirror
Performed by Public Access TV
Written by John Eatherly
Courtesy of Polydor UK Ltd
Issued under licence from Universal Music Publishing Ltd/Universal Music Operations Ltd
See more »

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User Reviews

 
Just a one way ticket please
18 January 2018 | by See all my reviews

The Commuter

Story is a bit. Well. What do you expect? It's a full on action flick. Though it has some redeeming moments, a few clever twists or turns can't save it from the banality that it promises (and delivers). To clarify, there are more not-quite-so-clever twists.

Acting is okay. Though as of late, Liam seems to be doing mostly more action oriented projects for some reason, he has skills that he's acquired over a decently long career and know how to use them. Even if he has to play roles as inane as principled ex cop with money troubles on a train. His co stars, or co passengers, pull something around their own weight. They play their parts as they are, they're not really playing characters, with little time (or need) for development. The jerk is a jerk, the teenage girl is a teenage girl, the random friend is a random friend etc.

Visually the film is laughable at times. It's not Scorpion King level bad, but the CGI is terrible. On the plus side, those moments add to fun. I guess. Also the camerawork tends to go overboard for no reason other than... I don't know. It looks cool? It might've if they wouldn't have mixed it with bad CGI. These sort of things tends to happen when you've got nothing to show. Fight screens are decent(ish).

Sound or music wise I'm trying to remember if there is anything to comment. I can't think of anything so I'm putting it on the plus side. Emotions and atmosphere seem written, not to say forced.

The director Jaume Collet-Serra was either offered a lot of money to do this or he is also very principled and does not negotiate with terrorists. He should, however, make an exception and try to negotiate with the producers, because this could've been a totally different kind of film. But everybody likes fireworks I guess. Even if they don't mean anything. Because they mostly don't. So you forget them soon after.


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