In 1980s Britain, a group of young men at Cutlers' Grammar School all have the brains, and the will to earn the chance of getting accepted in the finest universities in the nation, Oxford and Cambridge. Despite the fine teaching by excellent professionals like Mrs Lintott in history and the intellectually enthusiastic Hector in General Studies, the Headmaster is not satisfied. He signs on the young Irwin to polish the students' style to give them the best chance. In this mix of intellectualism and creative spirit that guides a rigorous preparation regime for that ultimate educational brass ring, the lives of the randy students and the ostensibly restrained faculty intertwine that would change their lives forever.Written by
Kenneth Chisholm (firstname.lastname@example.org)
In the montage scene in the library, at least three books, Michael Burleigh's "The Third Reich" (2001), Alan Bullock's "Hitler and Stalin: Parallel Lives" (1991), and John Guy's "Tudor England" (1988) are visible, neither of which had been published in 1983/84 when the film was set. See more »
But this is History. Distance yourselves. Our perspective on the past alters. Looking back, immediately in front of us is dead ground. We don't see it, and because we don't see it this means that there is no period so remote as the recent past. And one of the historian's jobs is to anticipate what our perspective of that period will be... even on the Holocaust.
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At the beginning of the film, the title - "The History Boys" - is taken letter by letter from random parts of an essay on the dissolution of the monasteries, a common history topic, which the History Boys themselves write later on in the film. See more »
Bye Bye Blackbird
Written by Mort Dixon & Ray Henderson
(c) 1926 (Renewed 1953) All Rights for the Extended Term Administered by the Fred Ahlert Music Corporation on Behalf of Olde Clover Leaf Music
(c) Remick Music Corp.
By kind permission of Ray Henderson Music Inc and Redwood Music Ltd care of Carlin Music Corp.
(c) Warner Bros. Inc. by kind permission of Warner/Chappell Music Ltd.
Performed by Samuel Barnett, Jamie Parker and the History Boys See more »
With pretensions at loftiness, this film was well-received by the Brits, less so by others, (except for those insecure people who pretend to "get it" in order to feel accepted by the "in" crowd). It has it's moments, but is unrealistic and bombastic in scope. A celebration of borderline gay pedophilia, combined with witty pubescent brainiacs offhandedly spouting obscure literary quotes make this film nearly unwatchable.
Cute in some parts, tediously precocious in others, it's lofty premise is bogged down by a fatal lack of realism, and a story that completely ignores rationality for a weird semi-homo-erotic fantasy-idealism that somehow makes impropriety and perversion ordinary, even acceptable.
And I'm a gay man!
I gave it a rating of 3 for it's beautiful cinematography, its directional excellence and yes, even its cute actors. It has its moments of hilarity, its engaging wit and even a few captivating devices.
But to put the dialog of an educated and seasoned adult into the mouths of these "babes" is laughable. To further portray them in classes that are as randomly unrealistic as these stretches the bounds of credibility. And to further infuse a homosexual pedophilia into the mix as if it were both commonplace and ordinary, "just a bit of fun", as one character defends it, is both offensive and repulsive to me.
If you want to be perceived as smart, chic and trendy, then by all means, sit through this film and rave to your friends about how brilliant, witty and progressive it is. But if you have enough courage to be yourself, then don't bother wasting your time with it.
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