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Million Dollar Baby (2004)

PG-13 | | Drama, Sport | 28 January 2005 (USA)
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1:52 | Trailer

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A determined woman works with a hardened boxing trainer to become a professional.

Director:

Clint Eastwood

Writers:

Paul Haggis (screenplay), F.X. Toole (stories)
Popularity
1,425 ( 283)
Top Rated Movies #201 | Won 4 Oscars. Another 64 wins & 83 nominations. See more awards »

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Cast

Cast overview, first billed only:
Clint Eastwood ... Frankie Dunn
Hilary Swank ... Maggie Fitzgerald
Morgan Freeman ... Eddie Scrap-Iron Dupris
Jay Baruchel ... Danger Barch
Mike Colter ... Big Willie Little
Lucia Rijker Lucia Rijker ... Billie 'The Blue Bear'
Brían F. O'Byrne ... Father Horvak (as Brían O'Byrne)
Anthony Mackie ... Shawrelle Berry
Margo Martindale ... Earline Fitzgerald
Riki Lindhome ... Mardell Fitzgerald
Michael Peña ... Omar
Benito Martinez ... Billie's Manager
Bruce MacVittie ... Mickey Mack
David Powledge David Powledge ... Counterman at Diner
Joe D'Angerio ... Cut Man (as Joe d'Angerio)
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Storyline

Wanting to learn from the best, aspiring boxer Maggie Fitzgerald wants Frankie Dunn to train her. At the outset he flatly refuses saying he has no interest in training a girl. Frankie leads a lonely existence, alienated from his only daughter and having few friends. Maggie's rough around the edges but shows a lot of grit in the ring and he eventually relents. Maggie not only proves to be the boxer he always dreamed of having under his wing but a friend who fills the great void he's had in his life. Maggie's career skyrockets but an accident in the ring leads her to ask Frankie for one last favor. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Beyond his silence, there is a past. Beyond her dreams, there is a feeling. Beyond hope, there is a memory. Beyond their journey, there is a love.

Genres:

Drama | Sport

Motion Picture Rating (MPAA)

Rated PG-13 for violence, some disturbing images, thematic material and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | Irish

Release Date:

28 January 2005 (USA) See more »

Also Known As:

Rope Burns See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$179,953, 19 December 2004, Limited Release

Gross USA:

$100,492,203

Cumulative Worldwide Gross:

$216,763,646
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Played in theaters for six and a half months. See more »

Goofs

When Frankie & Maggie leave Maggie's hometown of Theodosia, MO, they pass a road sign with "160" inside a Missouri outline, the correct sign for Missouri State Highway 160. However, the main highway through real-life Theodosia (in far southern Missouri, just north of the Arkansas border and east of Branson) is U.S. Highway 160. See more »

Quotes

[first lines]
Eddie Scrap-Iron Dupris: [Narrating] Only ever met one man I wouldn't wanna fight. When I met him he was already the best cut man in the business. Started training and managing in the sixties, but never lost his gift.
See more »

Crazy Credits

There are no opening credits after the title is shown. See more »

Connections

Referenced in Pawn Stars: Million Dali Baby (2013) See more »

Soundtracks

Solferino
Written by Kyle Eastwood, Michael Stevens and David Potaux-Razel
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Frequently Asked Questions

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User Reviews

Oscar calibre, and yet……
10 March 2005 | by harry_tk_yungSee all my reviews

ADDITIONAL SPOILER WARNING

Coincidentally, both of the best pictures in this year's Oscar are about choosing death against life, although the circumstances are markedly different. The mood is even more polarised. In Mar adentro, I've never seen a story about death that has so much life that while deeply moved, I left the cinema elated and thankful. With Million Dollar Baby, I cannot remember ever leaving a cinema feeling so depressed.

Many describe the first half of the movie a "Rocky" type of uplifting story. Director Eastwood however is determined not to give people who are looking for usual Hollywood cheap thrills what they want. Resisting numerous opportunities to melodramatic magnifications, he tells the story in a simple old style and with minimalism. In addition, some detachment is gained through voice over narration of an observer (albeit not an entirely detached one) one-time great boxer and now janitor "Scrap" (Morgan Freeman). The final acceptance of late comer (over 30) Maggie Fitzgerald (Hillary Swank) by trainer Frankie Dunn (Clint Eastwood) to pugilistic training does bring an emotional stir but even that tends towards underplaying. Then, except for one bout in which Maggie has her nose broken, all her victories are covered in such rapidity that can almost be mistaken for carelessness. But make no mistake about it. That is exactly the way it is intended to be, so as not to take the focus away from the characters, and their interaction.

Scrap and Frankie is a pair that have been through a lot together, and have reached a point in their life when there's nothing that cannot be said between them. And it's not what is said, by the way they say it, that counts. The spark between Freeman and Eastwood provides some of the much-needed easy and humorous moods in this movie.

Scrap plays a role that is almost like a guardian angel to Maggie. There is not a great deal of interaction between them but whenever there is, he is always gentle and understanding. Morgan and Swank light up the perpectually gloomy screen in this movie with the warmth they radiate.

It is course on the interaction between Frankie and Maggie that this movie rests. Through the initial rejection, the gradual acceptance, the intense training and the eventual sharing of success, we see the development of a mentor/protégé relationship that is quite common, even when superbly acted. It's the abrupt and tragic turn of events in the middle that brings into focus the father/daughter relationship that has been fermenting all along. Not even descriptions such as "heart-breaking" can do justice to the emotional turmoil the audience experiences through the second half of the movie. The depth of the emotion intensifies as the agony portrayed by Eastwood and Swank towards the end pierce the air like a silent scream.

While Million Dollar Baby is undoubtedly Oscar calibre in many respects, it is extremely depressing to watch. Final observation: here's a movie with absolutely no sex whatsoever (those who suggest otherwise may wish to consider consulting a psychiatrist), only one four-letter word (uttered, incidentally, by a priest), and a lot of guts in not trying to please the mass.


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