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Howl's Moving Castle (2004)

Hauru no ugoku shiro (original title)
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1:31 | Clip

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When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.

Director:

Hayao Miyazaki

Writers:

Hayao Miyazaki (screenplay), Diana Wynne Jones (novel) (as Daiana Win Jônzu)
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Popularity
1,414 ( 952)
Top Rated Movies #135 | Nominated for 1 Oscar. Another 14 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Chieko Baishô Chieko Baishô ... Sofî (voice)
Takuya Kimura ... Hauru (voice)
Akihiro Miwa Akihiro Miwa ... Arechi no Majo (voice)
Tatsuya Gashûin ... Karushifâ (voice)
Ryûnosuke Kamiki ... Marukuru (voice)
Mitsunori Isaki Mitsunori Isaki ... Koshô (voice)
Yô Ôizumi ... Kakashi no Kabu (voice)
Akio Ôtsuka ... Kokuô (voice)
Daijirô Harada Daijirô Harada ... Hin (voice)
Haruko Katô Haruko Katô ... Sariman (voice)
Jean Simmons ... Grandma Sophie (voice)
Christian Bale ... Howl (voice)
Lauren Bacall ... Witch of the Waste (voice)
Blythe Danner ... Madame Suliman (voice)
Emily Mortimer ... Young Sophie (voice)
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Storyline

A love story between an 18-year-old girl named Sophie, cursed by a witch into an old woman's body, and a magician named Howl. Under the curse, Sophie sets out to seek her fortune, which takes her to Howl's strange moving castle. In the castle, Sophie meets Howl's fire demon, named Karishifâ. Seeing that she is under a curse, the demon makes a deal with Sophie--if she breaks the contract he is under with Howl, then Karushifâ will lift the curse that Sophie is under, and she will return to her 18-year-old shape. Written by Sophie Ball

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated PG for frightening images and brief mild language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Disney [United States]

Country:

Japan

Language:

Japanese

Release Date:

17 June 2005 (USA) See more »

Also Known As:

Howl's Moving Castle See more »

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Box Office

Budget:

$24,000,000 (estimated)

Opening Weekend:

JPY 1,444,469,305 (Japan), 21 November 2004, Limited Release

Opening Weekend USA:

$427,987, 12 June 2005, Limited Release

Gross USA:

$4,711,096

Cumulative Worldwide Gross:

$235,184,110
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital EX | DTS-ES | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In the novel the movie is based on, the black door is actually a portal to Howl's homeland, which is in Wales in our current time and dimension. See more »

Goofs

After the portals change, Howl says "See that new color on the dial?" to Sophie, to show her the meadow. He then sets the portal to red (from yellow). Red (the "new portal") was on the original dial - yellow is the new color (replacing blue). See more »

Quotes

[Howl comes running out of the bathroom, screaming. His hair is now orange]
Howl: Sophie! You, you sabotaged me! Look! Look at what you've done to my hair! Look!
Old Sophie: What a pretty color.
Howl: It's hideous! You completely ruined my magic potions in the bathroom!
Old Sophie: I just organized things, Howl. Nothing's ruined.
Howl: Wrong! Wrong! I specifically ordered you not to get carried away!
[tragically]
Howl: Now I'm repulsive.
[slumps into a chair]
Howl: I can't live like this.
[...]
See more »

Connections

Referenced in Ben 10: Omniverse: An American Benwolf in London (2014) See more »

Soundtracks

Sekai no Yakusoku
Written by Yumi Kimura
Performed by Chieko Baisho
See more »

Frequently Asked Questions

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User Reviews

 
A poetic anti-war cartoon.
14 September 2004 | by chiarasfSee all my reviews

In a time of war and falsity here it is a dancing poetry from Japan against all the cruelty and pain. The moving castle leads us to a magic place where life has a strong value and elderly people have an important role to play. Also in an apparent hostility or in a scarecrow, Hayao Miyazaki gives us the chance of finding a friend and not letting the dream go down. The perfect technique and the emotional stream are in complete harmony. If the jury of the Venice Film Festival had been more far-seeing, it would have given a more prestigious prize to this masterpiece.


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