After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
After a break up, Jenny moves in with writer Kelly, her filmmaker husband, and their child. Despite a rocky start, Jenny's influence helps Kelly realize that an evolution in her life, career and relationship is necessary for her happiness.
Luke and Kate are coworkers at a brewery who spend their nights drinking and flirting heavily. One weekend away together with their significant others proves who really belongs together and who doesn't.
Misfits in their lives back home, a group of young people live it up at musical-theater camp. While the sports counselor is completely ignored, the kids' spend all their time in rehearsal for a grueling schedule that involves a new show every two weeks. Several personal stories come to the fore. Is talented golden-boy Vlad honest in his feelings about Ellen? Can cross-dressing Michael have a relationship with his parents? Will one-hit-wonder musical playwrite and now camp counselor Bert Hanley remain mired in drink and cynicism? Fireworks are in store when Fritzi, who slavishly serves glamour girl Jill, is finally told to get a life, and the parents of Jenna, whose jaw has been wired shut in a compromise to avoid being sent to "fat camp", learn a valuable lesson at the summer's big end-of-season benefit.Written by
Martin Lewison <[email protected]>
In a December 2016 New York Times essay that Anna Kendrick wrote about the experience of making Camp, she said that "people have either never heard of it, or they want to tell me that it changed their life, no matter how inappropriate the circumstances." See more »
When Jill is in dressing room preparing for her "The Ladies Who Lunch" number, neither her wig styling or costume matches what she is wearing when she appears onstage moments later. See more »
[scene opens on Dee, Shaun and Company singing "How Shall I See You Through My Tears"]
[as singing continues, scene shifts to Vlad in his bedroom]
To all the critics out there, I know they're gonna review this, and I know they're gonna try to knock me - is it OK if I say this to the camera, Amber? - Okay. I only am who I am 'cause I was born that way. I have a gift, and I'm trying not to be selfish about it, but to use it. Okay? If you're gonna knock me for that, that's your problem....
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