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A.I. Artificial Intelligence (2001)

Artificial Intelligence: AI (original title)
PG-13 | | Adventure, Drama, Sci-Fi | 29 June 2001 (USA)
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A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.

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Writers:

(short story "Supertoys Last All Summer Long"), (screen story) | 1 more credit »
Popularity
793 ( 155)
Nominated for 2 Oscars. Another 16 wins & 67 nominations. See more awards »

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Cast

Cast overview, first billed only:
... David
... Monica Swinton
... Henry Swinton
... Martin Swinton
... Gigolo Joe
... Prof. Hobby
... Syatyoo-Sama
... Supernerd
... Supernerd
... Supernerd
... Supernerd
... Female Colleague
... Executive
... Sheila
Theo Greenly ... Todd
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Storyline

In the not-so-far future the polar ice caps have melted and the resulting rise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching the point of creating realistic robots (called mechas) to serve them. One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. Written by Chris Makrozahopoulos <[email protected]>

Plot Summary | Plot Synopsis

Plot Keywords:

boy | future | fairy | robot | fairy tale | See All (125) »

Taglines:

Do not speak the seven-word activation code unless you mean it. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content and violent images | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

29 June 2001 (USA)  »

Also Known As:

A.I.  »

Filming Locations:

 »

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend USA:

$29,352,630, 1 July 2001, Wide Release

Gross USA:

$78,616,689, 23 September 2001

Cumulative Worldwide Gross:

$235,927,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When David and Joe first arrive in Rouge City, they pass a milk bar. This is a reference to Stanley Kubrick's futuristic film "A Clockwork Orange", which opens at the Korova milk bar. See more »

Goofs

When the robots open the frozen door to the Amphib Craft, David's trousers are already wet on the left leg from the knee down. But when he gets out, they are dry and twice he slips on the ice and both times he lands on his left knee. See more »

Quotes

[first lines]
Narrator: [narrating, with ocean waves crashing together] Those were the years after the ice caps had melted... because of the greenhouse gases, and the oceans had risen drown so many cities... along all the shorelines of the world. Amsterdam, Venice, New York - Forever lost. Millions of people were displaced. Climates became chaotic. Hundreds of millions of people starved in poorer countries. Elsewhere a high degree of prosperity survived... when most governments in the developed world... ...
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Crazy Credits

The opening logos/credits feature the sound of the ocean in the background, which leads into the opening shot of the film which shows ocean waves, with opening narration explaining about sea level rise because of global warming. See more »

Connections

References Akira (1988) See more »

Soundtracks

For Always
Performed by Lara Fabian
Lyrics by Cynthia Weil
Music by John Williams
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Frequently Asked Questions

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User Reviews

God, what a mess
14 July 2002 | by See all my reviews

This was a horrible, horrible movie. A big, incoherent, pointless exercise in the typical Spielbergian club-you-over-the-head-until-you-get-it style that has absolutely no redeeming value whatsoever. Even the special effects are a waste, adding nothing to the plot and serving only as a place to dump millions of dollars where a few would have done just fine. Does it have a point of view? Who knows? The story is as disjointed as a road map of Afghanistan. Does it have humor, charm, pathos, insight--the few things, at least, you think you can count on from Steven Spielberg? No, no, no, no. Does it have a keen insight, a cold, dispassionate worldview, straightforward emotions, economy of action, like most of Kubrick's films? Uh, no, again.

This film is simply miserable. A hateful, ill-conceived, pointless, overblown, fragmented, shrill, poorly-executed disaster of a film that should serve as a cautionary tale to thousands of wanna-be filmmakers when they wonder if success is something that can be maintained after thirty years in the business. A disaster and a colossal disappointment, from beginning to end.


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