This is the story of a nine-year-old boy named Hogarth Hughes who makes friends with an innocent alien giant robot that came from outer space. Meanwhile, a paranoid U.S. Government agent named Kent Mansley arrives in town, determined to destroy the giant at all costs. It's up to Hogarth to protect him by keeping him at Dean McCoppin's place in the junkyard.Written by
Anthony Pereyra <firstname.lastname@example.org>
As Hogarth arms himself to find the "invaders from Mars," a Bugs Bunny figure can be seen inside his toy chest. See more »
A scene midway through the movie reveals a sign on the side of Dean's tow truck that reads "McCoppin Scrap". The end credits offer us an alternate spelling: Dean McCoppen. See more »
[talking very fast, on caffeine]
So she moved me up a grade 'cause I wasn't fitting in, so now I'm even more not fitting in. I was getting good grades, you know, like all A's. So my mom says, "You need stimulation," and I go, "No, I'm stimulated enough right now."
That's for sure.
So she says, "Uh-uh, You don't have a challenge, you need a challenge." So now I'm challenged, all right- I'm challenged to hold on to my lunch money because of all the big mooses who wanna pound me, 'cause they think ...
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The Warner Brothers logo is done in 50's art deco, as the Sputnik signal is heard. See more »
In the original, Hogarth finds the Giant's hand watching the TV, showing an advertisement for Maypo Cereal. Director Brad Bird initially wanted an ad for the Disneyland attraction Tomorrowland. Disney would not not grant clearance to use Tomorrowland footage back 1999, when the film was originally shown. Years later for the Signature Edition, Disney allowed the Tomorrowland footage to be used. So in the Signature Edition, the TV shows an ad for Tomorrowland. Oddly enough Brad Bird directed the film version of Tomorrowland for Disney, which was released the same year as the Signature Edition. See more »
Let's Do the Cha Cha
Written by Willie Boyd and Richard Nance
Performed by The Magnificents
Courtesy of Vee-Jay Limited Partnership
By Arrangement with Rhino Entertainment Company and Warner Special Products See more »
An ambitious take on Ted Hughes' 1968 children's book The Iron Man, director Brad Bird's The Iron Giant works well as both archetype-infused allegory and heartstring-tugging tale of friendship. Set in small town Maine in the 1950s at the height of Cold War paranoia, the film explores the relationship between a lonely, fatherless boy (a photo on a nightstand hints that the father was a combat pilot killed in WWII) and a monstrously huge, hulking metal behemoth (the origins of which are brilliantly left to the imagination). The animation marks a welcome contrast from the virtually ubiquitous Disney template, with the human characters bearing a stylized, comic book exaggeration that fits perfectly with the story material. The Iron Giant has more than enough imagination and sparkle to interest kids and adults, and nicely balances its action-adventure aspirations with a solidly-crafted sense of moral purpose.
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