A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
1950's Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are all after the truth, each in their own style: Ed Exley, the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White, ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes, always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime.Written by
Greg Bole <firstname.lastname@example.org>
To pitch the movie to backers (and later, to explain his aesthetic ideas about it to various cast and crew members), Curtis Hanson put together a group of eighteen period images, illustrating different aspects of what he hoped to convey with the movie. These included the "Welcome to Los Angeles" postcard that's in the first shot of the movie. Photos of tract housing, orange groves, and the glamor shot of Veronica Lake are framed on Lynn Bracken's wall. Hanson also chose studio photos of two lesser-known 1950s actors (Aldo Ray and Guy Madison) to show to Guy Pearce and Russell Crowe what he envisioned as models for the characters Ed Exley and Bud White. Exley's model was Madison, while White's was Ray. This film takes its name from "Confidential", a notorious 1950s-era movie star tabloid, which is fictionally portrayed herein as "Hush-Hush". See more »
When Bud White taps his badge on the rear window, Susan Lefferts rolls down the window. The view from inside looking out shows the level of the window is higher than the view from outside looking in. See more »
Come to Los Angeles! The sun shines bright, the beaches are wide and inviting, and the orange groves stretch as far as the eye can see. There are jobs aplenty, and land is cheap. Every working man can have his own house, and inside every house, a happy, all-American family. You can have all this, and who knows... you could even be discovered, become a movie star... or at least see one. Life is good in Los Angeles... it's paradise on Earth." Ha ha ha ha. That's what they ...
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At the end of all the credits, there is a brief scene from "Badge of Honor" featuring a onscreen dedication in honor of Sgt. Jack Vincennes (Kevin Spacey), who within the film had served as the "Hollywood cop" and advisor to the film. The scene shows a black-and-white closing moment of "Badge of Honor" with the credits inscribed as "Dedicated to Sgt. Jack Vincennes," as Badge of Honor actor (Matt McCoy) closes the door on the HOMICIDE office and walks sorrowfully away. See more »
In the Hong Kong television version, during the scene where Bud breaks into the interrogation room, the part where he removes all the bullets from the gun but one is removed for some reason. So it cuts straight from his coming into the room and then sticking the gun into the rapist's mouth without giving it a Russian roulette feel. See more »
This is the ultimate movie on the corruptness of the police force during the 1950's. No one is going to make a better movie than LA Confidential, the cast is perfect, the direction is superb, the screenplay is amazing, the choice of music, the graphic brutality, the not so fine line between good and evil.
When I saw this in the theatres, I came out of the theatre and couldn't say anything because I was awed. And I was amazed by how wonderful Russell Crowe and Guy Pearce were, I had never heard of them before, so I didn't know what to expect, but now I have two new favorite actors. And I couldn't believe that Russell was a New Zealander and Guy was an Aussie. They had great American accents. And of course Kevin Spacey was superb as always.
Any way, this is an awesome movie, go rent it if you have not seen it.
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