A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Hunters and their prey--Neil and his professional criminal crew hunt to score big money targets (banks, vaults, armored cars) and are, in turn, hunted by Lt. Vincent Hanna and his team of cops in the Robbery/Homicide police division. A botched job puts Hanna onto their trail while they regroup and try to put together one last big 'retirement' score. Neil and Vincent are similar in many ways, including their troubled personal lives. At a crucial moment in his life, Neil disobeys the dictum taught to him long ago by his criminal mentor--'Never have anything in your life that you can't walk out on in thirty seconds flat, if you spot the heat coming around the corner'--as he falls in love. Thus the stage is set for the suspenseful ending....Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
For the restaurant sequence where McCauley and Hanna finally meet, Michael Mann ran two cameras simultaneously in order to generate a greater level of fluidity between both rivals. Since there were no rehearsals for the scene, this approach afforded both men a more generous margin for improvisational experimentation. See more »
McCauley refers to a harbor-area bridge as the "Saint Vincent Thomas Bridge." It wasn't named for a saint, but for a California Assemblyman named Vincent Thomas. See more »
The television version aired by NBC on January 3, 1999 was disowned by director and credited to "'Alan Smithee'" because, though Mann offered to reinstate 17 minutes of deleted footage in the film to make it fit a four-hour time slot, NBC decided to excise over 40 minutes of footage from the theatrical release in order to make it fit a three hour slot (including commercials). See more »
In this exciting thrill ride, good and evil battle it out. But not in the usual comic-book style of most films today. "Heat" carries with it the moral values so many of us take for granted. Although much in the film is morally ambiguous, one may find that even when all your life you've lived on the other side of the law, you can still settle down and have a heart-to-heart. When I first saw this movie I was sure it would be another violent crime movie that I would never want to see again. I have since seen it 4 times and have a copy of my own. The thrilling sequences and brilliant camera-work have you glued to the screen. The exceptional cast of characters has you wondering "who could be so lucky to work with them?". From the opening scene to the thrilling final scenes and everything in between (including the climax) "Heat" grabs you and pulls you in. This is a true film masterpiece.
217 of 286 people found this review helpful.
Was this review helpful to you?
| Report this