A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
During the baby-switching scene, the music heard is "La gazza ladra" ("The Thieving Magpie"), a musical overture by Italian Composer Gioachino Rossini. See more »
When Fat Moe gives Noodles the locker key, he opens the door of the clock. The key for winding up the clock is in place. After a quick cut to Noodles, the key is gone. See more »
[In 1933, two goons rudely question a young woman]
Where is he? Where's he hiding?
I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
I'm gonna ask you for the last time: Where is he?
I don't know... What are you gonna do to him?
[Two shots are heard]
[to his partner]
Stay here in case that rat shows up...
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A network television version of three hours (without commercials) was briefly available in the early-to-mid-1990s, which retained the film's non-chronological order but still left out several key scenes. This version has recently turned up in viewings of the film for the AMC TV channel. See more »
My only merits for this film are for the principles of camera work, general acting and basic cinematics, besides that, this is almost 4 hours of my life I won't get back, this film drags on so much that by the first hour I felt like I'd spent a full day watching it and on top of that I still had very little connection to the characters and their story hadn't even started. Second hour hit, still nothing, I was almost asleep. Third hour, I might as well have been asleep, the story was still stagnant. As a cinematic story, yes, this is amazing. But as a film, it's like watching paint dry, it just doesn't get going. If you have the time to spare and have nothing better to do or watch then by all means, watch this film, but if you have something better do with your time then please, avoid this film. The length of the film doesn't justify the lack of story or the cinematic prowess, this could very easily have been an hour and a half film.
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