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Blade Runner (1982)

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A blade runner must pursue and terminate four replicants who stole a ship in space, and have returned to Earth to find their creator.

Director:

Ridley Scott

Writers:

Hampton Fancher (screenplay), David Webb Peoples (screenplay) (as David Peoples) | 1 more credit »
Popularity
298 ( 99)

Remembering Rutger Hauer (1944-2019)

We celebrate the life and legacy of Rutger Hauer, the award-winning actor best known for Blade Runner and The Hitcher.

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Top Rated Movies #166 | Nominated for 2 Oscars. Another 12 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Harrison Ford ... Rick Deckard
Rutger Hauer ... Roy Batty
Sean Young ... Rachael
Edward James Olmos ... Gaff
M. Emmet Walsh ... Bryant
Daryl Hannah ... Pris
William Sanderson ... J.F. Sebastian
Brion James ... Leon Kowalski
Joe Turkel ... Dr. Eldon Tyrell
Joanna Cassidy ... Zhora
James Hong ... Hannibal Chew
Morgan Paull ... Holden
Kevin Thompson ... Bear
John Edward Allen John Edward Allen ... Kaiser
Hy Pyke ... Taffey Lewis
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Storyline

In the 21st century, a corporation develops human clones to be used as slaves in colonies outside the Earth, identified as replicants. In 2019, a former police officer is hired to hunt down a fugitive group of clones living undercover in Los Angeles. Written by MadMovieManiac

Plot Summary | Plot Synopsis

Taglines:

The original cut of the futuristic adventure. [Director's Cut] See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Release Date:

25 June 1982 (USA) See more »

Also Known As:

Dangerous Days See more »

Filming Locations:

London, England, UK See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$6,150,002, 27 June 1982

Gross USA:

$32,868,943
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Workprint Version)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Stereo (35 mm prints)| 12-Track Digital Sound (IMAX 12 .0 Surround)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The Bradbury Building, J.F Sebastian's home and location of the final chase sequence, is a Los Angeles landmark used in many Hollywood movies including: D.O.A. (1949), M (1951), I, the Jury (1953), Indestructible Man (1956), Good Neighbor Sam (1964), Marlowe (1969), The Night Strangler (1973), Chinatown (1974), Avenging Angel (1985), Murphy's Law (1986), Wolf (1994), Disclosure (1994), Lethal Weapon 4 (1998), Pay It Forward (2000), (500) Days of Summer (2009), and most recently in The Artist (2011). The Bradbury has also been used in countless television series. By the time that Blade Runner was filmed, it was actually in relatively poor condition, which was just right for production. The crew was allowed to shoot there as long as they left the building in the state that they found it in. To simulate the dusty interior, the crew spread ground cork over the floor which looked exactly right on camera. It also had the advantage that it absorbed all the water that was used to simulate leakage; at the end of shooting, they only had to mop up the soaked cork to clean up. See more »

Goofs

(at around 59 mins) After Zhora is shot and lying on the sidewalk, Decker shows his ID to an officer then moves off into the crowd. A loud speaker is telling the crowd "move on, move on" and a flying police car is seen with support cables clearly visible. See more »

Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »

Crazy Credits

The opening credits sequence features a detailed, dictionary-style definition of the word Replicant. See more »

Alternate Versions

There are reports that when "Blade Runner" premiered on American cable TV, there was an additional line of dialog when Bryant gives Deckard the description, names, and addresses of Tyrell and Sebastian over the radio. In the cable TV version, Bryant adds "...and check 'em out" after he says "I want you to go down there." See more »

Connections

Referenced in Jeopardy!: Episode #22.195 (2006) See more »

Soundtracks

Tales of the Future
(uncredited)
Written by Vangelis
Performed by Demis Roussos
See more »

Frequently Asked Questions

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User Reviews

 
One of the greatest Sci-Fi movies of all time.
25 March 2018 | by NikosMarkantSee all my reviews

Blade Runner is perhaps the best sci-fi film and undoubtedly one of the best films of all time. Along with 2001: A Space Odyssey, it is one of the most philosophical and influential movies ever created, as it conveys a plethora of fundamental questions, which are woven in the very fabric of the human essence and existence. It seems near impossible to imagine a more suitable fusion of two of the most successful genres of all time, Science Fiction and Film Noir. By merging together the moral conflict and the emphatic character arc of the private detective, a trait that is exclusive to and definitive of the Film Noir genre, with a futuristic dystopian environment, Blade Runner creates the ultimate Neo-Noir setting, the only one capable of supporting such strong ideas and posing such significant questions to the viewer, without compromising on an interesting plot development and an appealing pace, things that are masterfully achieved via a tight script and persuasive performances.

In a dark, future dystopian portrait of a 2019 Los Angeles, where humans have alienated themselves with their true nature and claimed the title of god/creator of life, effectively manufacturing artificial intelligence and bioengineering androids, called "Replicants", a retired "Blade Runner" named Rick Deckard is assigned with the undertaking of terminating four rogue such replicants that have illegally returned to Earth in a quest to force their maker, Tyrel, into postponing their grim destiny, basically prolonging their already predetermined four-year lifespan. Their greatest sin, however, is having the audacity of desiring one of the most sought-after values in the history of the human species, the freedom to live as they please. In this uneasy and twisted world, the lines between humanness and machinery are blurred and Deckard is faced with the consequences of the realization that not all is as it seems and there is more to "being-alive" than most believe.

Blade Runner's unique depiction of the future has been imitated numerous times quite unsuccessfully, mostly due to the fact that no other film to this date has managed to create such an engaging atmosphere so beautifully connected to every part of it, effectively enhancing every scene and allowing for a strong conveyance of all the moral and existential questions that are posed during the whole duration. The audience is instantaneously absorbed by the vivid and compelling world depicted in the film, and that's where Ridley Scott succeeds the most, offering a glance into an original and somewhat disturbing reality that might very well be humanity's near future. The cinematography is impeccable, the art direction is gorgeous and along with some of the best visual effects that have ever been used in film-making, creates one of the most realistic and visually stunning environments that have ever graced a motion picture to this day. Vangelis has also composed one of the best and most awe-inspiring scores of all time, effectively managing to capture the very essence of each scene, thus making all sound a significant and inseparable part of the whole cinematic experience that Blade Runner has to offer.

This thorough examination of what it means to be human isn't, thankfully, to no avail, as a careful observant, is forced to question their beliefs and attempt to choose a side on dilemmas that are still discussed by philosophers to this day, such as the traits that define humanity, the relativity that characterizes concepts like right or wrong, good or evil, as well as the meaning of life itself. The moral and existential complexity of this reality that Blade Runner has offered to the world reaches depths unparalleled by the majority of the films available, therefore greatly distinguishing it from all others and thus emphasizing its uniqueness through the most complete portrayal of science fiction to date.


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