Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the evil Darth Vader.
It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him. Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will...Written by
When Willard is first shown a photo of Col. Kurtz the name tag on his uniform reads "Leighley". When Willard looks at the photo a second time, the name tag reads "Kurtz". (This is due to the fact the character's name was changed from Kurtz to Leighley and then back to Kurtz during the film's production after scenes using the Leighley name had already been shot.) See more »
Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
When I was home after my first tour, it was worse.
[grabs at flying insect]
I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay in this room...
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There are no opening credits in the film. The title can be seen as graffiti in the Kurtz compound late in the film. See more »
A 289min long workprint version exists. It has never been officially released but circulates as a video bootleg. The bootleg contains the following extra material not included in either the original theatrical release or the "redux" version.
A longer opening montage, the entire 10 minute song "The End" by The Doors is heard.It intercuts longer helicopters/jungle images with Willard in the hotel room in a drunken rage, as well as a scene where he is with a prostitute. There are various shots outside depicting the streets of Saigon.
When the two soldiers pick up Willard in the hotel room there is a brief conversation while they help him shower and shave. They notify him that his wait for his new mission is now over.
The scene where Willard is given his assignment is longer and contains much more dialogue. The general informs Willard that the mission is purely voluntary and he can decline it. The general also offers Willard a promotion to major upon completion of the mission. For some reason Colonel Kurtz is referred to in this scene as "Colonel Leevy". There are some external shots of the military base.
A brief scene where Willard is introduced to the crew of the Navy P.B.R.
Carmine Coppola's score is not present in this version. Many more songs by The Doors are played throughout the film instead.
None of the narration or dossier voiceovers are in this version.
There is no audio dubbing in this version. All the audio is from the sound recorded during the actual filming. Much of Robert Duvall's dialogue is unitelligable due to the sound of the helicopters in his scenes.
A much longer first cavalry "Ride of Valkyrie" attack scene (30+ mins)showing much unused footage and alternate takes.
A much longer playboy bunnies performance.
Various extended scenes on the boat, and alternate takes and shots.
A scene where a miniature toy boat passes the Navy PBR. Lance tries to grab it out of the water. The Chief yells at him to leave it alone claiming it's a booby trap. To prove it the Chief fires some shots at it to which it explodes.
When the P.B.R. reaches Do-lung bridge, the soldier that greets them gives a more detailed explanation of the chaos around the bridge.
When Lance is reading his letters on the boat, he suddenly stops to machine gun a water buffalo on the shore. The Chief yells at him to stop.
The sequence where Clean is killed is omitted.
A slightly longer French plantation sequence. After the French woman strips she crawls into the bed with Willard and they begin kissing.
The sequence where the Chief is killed is omitted.
More dialogue between Willard and the photojournalist when they first reach the Kurtz compound. The Journalist reveals that it was HE who was able to get the montangnards to break off their attack on the boat in the previous scene. Willard repeatedly asks the Journalists name but he refuses to answer.
The character of Colby, (the soldier who was sent before Willard to kill Kurtz, played by Scott Glenn) has a much more substantial role in this version. As Willard inspects the compound, Colby tells Willard that the night before, NVA soldiers had attacked (which explains all the bodies laying about the compound). Willard then enters Kurtz's house, much to the dismay of the journalist. Willard sees Kurtz empty bed and his medals, also his journal with the inscription "Drop the bomb, exterminate them all" (many of these scenes were in the final version but re-inserted in different places).
The scene where Willard talks to Chef about the air strike on the boat is omitted.
In this version. The first time Kurtz appears is the scene where a mud caked Willard is tied up (seated) to a pole in the rain. Kurtz appears with camouflage face paint, Willard asks...."Why he is being mistreated?" and tries to bluff his way past Kurtz by telling him that he had just completed a secret mission in Cambodia, and only stopped for supplies. Kurtz says nothing to him, but plants Chef's head in his lap. (Only a portion of this scene was in the original version).
The scene where Willard meets Kurtz in his bed chamber contains more dialogue....as Kurtz makes it clear that he knows why Willard is there.
A scene where Kurtz talks to Willard in the bamboo cage while two children sit on top of the cage and dangle insects in Willard's face. He tells him that Willard is "like his colleagues in Washington, master liars who want to win the war but don't want to appear as immoral or unethical".
A lengthy scene where the montangnards in a ritualistic display pick up the bamboo cage (with Willard inside) and poke him with sticks (Lance and Colby participate in this). The natives dance around the bamboo cage, chanting and singing while a squealing pig is tied up and killed.
A 10 minute version of the scene where Kurtz reads the poem "The Hollow Men", intercutting between his reading and the journalist talking with Willard.
A scene where the journalist meets Willard to tell him that he thinks Kurtz is about to kill him because he took his picture again. During which Colby comes behind the journalist and shoots him three times, killing him. Willard throws a knife at Colby's stomach to which he falls, but before he dies he asks Willard to talk to his family for him and asks him to kill Kurtz.
Kurtz speech about the horror and the children vaccination are omitted.
During the assassination scene at the end, before Willard enters Kurtz' home, one of the guards confronts him. Willard picks up a spear to defend himself as the guard picks up a child to shield himself. Willard runs the spear right through the child and into the guard. The final scene with Willard and the montangnards after Kurtz assasination are omitted.
Somewhere on IMDb there is a discussion about the greatest director of all times (Spielberg, Copolla and others are named there). The greatest argument was around Spielberg and whether he is or isn't a great director. The problem with Spielberg is that while he is a master technician, most of his films lack depth.Saving Ryan is really outstanding from a technical point of view, but its message is dull and while its very entertaining, it doesn't make you think about anything. AN is the best movie I ever saw because it combines great shooting with a deep philosophical perspective on so many things, starting from war in general, the clash of civilizations, the condition of soldier in wartimes (is a soldier a hero or an assassin? Brando says he is neither, the french lady says he is both ...) and many others. The problem with some people is that they try to argue about whether these points are true or false. But a great movie, and a great piece of art in general is supposed to spark arguments, not to solve them ... Maybe Coppola is right, or maybe he isn't, nobody holds the truth anyway. You can watch this movie for its outer beauty, amazing scenes, great acting and memorable quotes and you will be entirely satisfied. But what really make this movie a masterpiece is its inner quality. You can't help but make a comparison with the recent Fahrenheit documentary.Both Copolla and Moore tackle similar issues, but while Copolla presents matters from an outside , objective point of view, Moore takes a very partisan position that really compromises the whole point of a documentary ... It is really a shame that a film like Fahrenheit 9/11 won a prestigious award like Cannes. But anyway, if you want to start to understand a little of the Vietnam war, the Iraq war, the second World War and any war in general, you should definitely see this movie, and not the other one ...
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