George lives with her lover, Childie and plays a cheerful district nurse in a BBC soap opera. However, her character is to be killed off, and George realises that the only other job she can... See full summary »
Set in the Depression, a gang of half-witted small-time hoods led by Slim Grissom kidnap heiress Barbara Blandish and Slim proceeds to fall in love with her. Remake of the British film No ... See full summary »
At a Mexican ranch, fugitive O'Malley and pursuing Sheriff Stribling agree to help rancher Breckenridge drive his herd into Texas where Stribling could legally arrest O'Malley, but Breckenridge's wife complicates things.
A sexy starlet (Kim Novak) resembles Lylah Clare, a flamboyant star of the thirties who died mysteriously and tragically on her wedding night, gets a chance to play her in a biographical film directed by Lylah's real-life husband (Peter Finch) and history repeats itself as he falls for her reincarnation.Written by
This film is listed among the 100 Most Enjoyably Bad Movies Ever Made in Golden Raspberry Award founder John WIlson's book THE OFFICIAL RAZZIE® MOVIE GUIDE. See more »
When Elsa is speaking in Lylah's voice, if you look closely you can see that the words are slightly out of sync with Elsa's mouth. See more »
Do you really believe that you have a licence to ask any dirty question that slimes into that snake's nest between your ears? And nobody challenges you. Why? Because they are gentleman?
I'll tell you why.
[gesture with Molly Luther's snatched crutch]
Molly Luther's magic wand. It keeps keeps her safe from
[two thumps against Molly Luther's leg brace]
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Another piece of yesterday from Robert Aldrich, filthied-up through his askew, slightly campy/slightly too-serious vision. We never know where we sit with an Aldrich movie; he enjoys setting up a comfortable scenario before wickedly pulling the rug out from under his audience. He exposes all the weaknesses of Kim Novak as an actress, brutally letting the puckered blonde look silly (at her expense) and without ever giving her a fair shot at a meaty scene. The opening moments are richly evocative, but they don't last long: Kim (in a mousy wig) hangs out in a dingy apartment in Hollywood, surrounded by old movie magazines. Turns out she resembles a long-deceased movie queen named Lylah Clare and is quickly tapped to star in a picture of the actress' doomed life--to be directed by Lylah's widower husband! Bits of satire, supernatural elements and symbolism muddy up this stew, though I admit to being engrossed by it all. Peter Finch, as always, is worth watching, and Novak's mere presence is tantalizing (even if her acting is not). Frank De Vol's background score is lush, and I loved some of the set-pieces and overwrought melodrama. As for the ending, I would have a tough time explaining it to anyone, except to say that it is Aldrich's stamp as a director to go over-the-top. Here, he goes a little bit over-the-edge as well. ** from ****
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