Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know the location of the gold. All he needs is for the two to ...Written by
Throughout production, Clint Eastwood regularly socialized with would-be Spaghetti Western veteran Franco Nero, who was working on Texas, Adios (1966) at the time. The two films share three cast members: Luigi Pistilli (Father Pablo in this film, Hernandez in 'Texas, Adios'), Livio Lorenzon (Baker in the former film, Alcalde Miguel in the latter) and Silvana Bacci (who plays a barmaid in Texas, Adios and a Mexican prostitute in a scene that was ultimately cut from 'The Good, the Bad, and the Ugly'). See more »
When the POW camp commandant is upbraiding Angel Eyes for his treatment of the Confederate prisoners, Angel Eyes responds with a comment about the treatment of Union POWs at Andersonville. Andersonville was opened in 1864. The Film is set in 1862. See more »
You're... from Baker?
[Angel Eyes is silent, eating a bowl of stew and staring at him]
Tell Baker that I told him all that I know already and I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins.
[Angel Eyes stops eating and looks interested]
Now that gold has disappeared, but if he'd listened we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more....
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The additional 14min in the original version (Italian release, then DVD bonuses) are only transitions scenes, heavily depicting the gloomy war background.
The first additional scene (the longest) comes right after Tuco failed to hang Blondie. Sentenza tracks Bill Carson and investigates among derelict confederate soldiers. He learns that the 3rd regiment has flown through the desert "which is not much better than the Union prison." [DAY]
After the scene in the desert where Bill Carson shares his secret, Tuco, steering the carriage in a gray uniform, asks a group of Confederate soldiers where he can find a doctor for Blondie. He says he is Bill Carson then learns that the San Antonio mission is just a few miles away. [NIGHT]
While Tuco enjoys his railroad trip (with Corporal Wallace), Sentenza and Blondie are on their way to the cemetery. They stopped for the night by a river. Strangers show up, Blondie shots one and then learn they're Sentenza's henchmen. There are 5 new comrades plus Sentenza. Blondie: "6 - the perfect number." Sentenza: "I thought 3 was the perfect number." Blondie: "Yes, but in my gun there's room for 6 bullets."
The Good, the Bad and the Ugly or the Good, the Better and the Best, as I prefer calling it, is a bizarrely sublime and a uniquely aesthetic masterpiece. The actors in title roles have given such extraordinarily superb performances, that it would be impertinent and disparaging to merely regard their swell work as acting. In fact their brilliant portrayals have immortalized Blondie, Sentenza/ Angel Eyes and the enigmatic Tuco. Lee Van Cleef is fiendishly unforgiving as the merciless Angel Eyes. Clint Eastwood is rugged yet suave, cocky yet adorable as laconic cigar-smoker Blondie, a role that laid the foundations of his illustrious career. But it is Eli Wallach, who steals the show with his captivating portrayal of Tuco, a portrayal that is as entrancing as it is enlightening. Wallach is amusing, capricious, nonchalant, uncanny and yet tenacious as Tuco, perturbed by his insecurities and dampened by his solitude. It is the tacit amicability between Blondie and Tuco and their mutual hostility towards the evil Angel Eyes owing to the vestiges of virtue present in them, redolent of their moribund morality, which gives the story, the impetus and the characters, a screen presence that is not only awe inspiring but also unparalleled.
Sergio Leone's magnificent and ingenious direction in synergy with Ennio Morricone's surreal music, Tonino Delli Colli's breathtaking cinematography and Joe D'Augustine's punctilious editing makes the movie, a treat to watch and ineffably unforgettable. Initially aimed to be a tongue-in-cheek satire on run-of-the-mill westerns, The Good, the Bad and the Ugly, continues to stand the test of time in its endeavor to attain apotheosis (if it hasn't attained it yet). It will always be remembered as European cinema's greatest lagniappe, not only to the Western genre, but to the world of cinema.
It's a must watch for any movie lover. 10/10
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