A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all ...Written by
Gen. Ripper's paranoia about water fluoridation being a Communist plot is based on a conspiracy theory circulated by the extreme-right-wing John Birch Society in the 1950s and 1960s. The organization, which was founded in 1958, was quite influential in conservative politics at the time, and the "fluoridation is a Communist plot" theory took hold in many rural areas of the US, with some small towns going so far as to not only ban fluoridation of water but to pass ordinances requiring the arrest and jailing of anyone who advocated it. See more »
When the missile is tracked approaching the bomber, we see the radar screen with 6 concentric circles. As the first report comes in, the missile is just outside the 6th circle, and is reported at 60 miles away. The next report has it at the 5th circle and 50 miles away, so each circle must be an increment of 10 miles. However, when the missile is at the 2nd circle, it is stated to be only 10 miles away. Before it reaches the 1st circle and starts deflecting, it is said to be 7 miles away instead of greater than 10 miles. See more »
For more than a year, ominous rumors had been privately circulating among high-level Western leaders that the Soviet Union had been at work on what was darkly hinted to be the ultimate weapon: a doomsday device. Intelligence sources traced the site of the top secret Russian project to the perpetually fog-shrouded wasteland below the Arctic peaks of the Zhokhov Islands. What they were building or why it should be located in such a remote and desolate place no one could say.
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The screenplay title is incorrectly spelled. It reads: 'Base' on the book "Red Alert" by Peter George. This is pointed out on the DVD supplement about the making of the film. See more »
The US version opens with the following text being displayed before the Columbia lady appears: "It is the stated position of the U.S. Air Force that their safeguards would prevent the occurence of such events as are depicted in this film. Furthermore, it should be noted that none of the characters portrayed in this film are meant to represent any real persons living or dead." See more »
What makes this film so powerful is the message that it made at the time of its release. This film came out at a height of paranoia of the nuclear age and the Cold War, right around the time of the Cuban Missile Crisis. This film depicts a horrible, tragic incident in which a breach in the government and a few diplomatic mistakes result in nuclear holocaust. So, why didn't this film inspire panic? Because of the brilliant way in which Kubrick presents it... as a satire. The scariest thing about this film in retrospect is not how it depicts the impending doom of the Cold War, but how it makes you laugh at it. By presenting it with humor, it conveys just how much of a farce the nuclear arms race was in real life. And I don't think that any other film has captured the absurdity of war nearly as well as this one has. And I am not likely to believe that one ever will. In my opinion, Kubrick has never made a better film since. And kudos to George C. Scott for his astounding performance, as well as Peter Sellers for the most versatile acting I've seen from an actor in one film, and to Sterling Hayden, for performing the most serious, yet the most hilarious role in film with perfect accuracy. Beware of fluoridation!
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