7.6/10
77,615
224 user 85 critic

Lolita (1962)

Not Rated | | Crime, Drama, Romance | 21 June 1962 (West Germany)
A middle-aged college professor becomes infatuated with a fourteen-year-old nymphet.

Director:

Writers:

(screenplay), (novel)
Reviews
Popularity
1,374 ( 74)

Watch Now

From $2.99 (HD) on Prime Video

ON DISC
Nominated for 1 Oscar. Another 2 wins & 8 nominations. See more awards »

Photos

Learn more

People who liked this also liked... 

Barry Lyndon (1975)
Adventure | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

An Irish rogue wins the heart of a rich widow and assumes her dead husband's aristocratic position in 18th-century England.

Director: Stanley Kubrick
Stars: Ryan O'Neal, Marisa Berenson, Patrick Magee
Spartacus (1960)
Certificate: Passed Adventure | Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

The slave Spartacus leads a violent revolt against the decadent Roman Republic.

Director: Stanley Kubrick
Stars: Kirk Douglas, Laurence Olivier, Jean Simmons
The Killing (1956)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Crooks plan and execute a daring race-track robbery.

Director: Stanley Kubrick
Stars: Sterling Hayden, Coleen Gray, Vince Edwards
Drama | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.

Director: Stanley Kubrick
Stars: Tom Cruise, Nicole Kidman, Todd Field
Killer's Kiss (1955)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Ready to catch a train to his hometown, a washed up boxer tells us about the strange and twisty events that happened to him the past couple of days.

Director: Stanley Kubrick
Stars: Frank Silvera, Irene Kane, Jamie Smith
Drama | War
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

After refusing to attack an enemy position, a general accuses the soldiers of cowardice and their commanding officer must defend them.

Director: Stanley Kubrick
Stars: Kirk Douglas, Ralph Meeker, Adolphe Menjou
Lolita (1997)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A man marries his landlady so he can take advantage of her daughter.

Director: Adrian Lyne
Stars: Jeremy Irons, Dominique Swain, Melanie Griffith
Comedy | War
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  

An insane general triggers a path to nuclear holocaust that a War Room full of politicians and generals frantically tries to stop.

Director: Stanley Kubrick
Stars: Peter Sellers, George C. Scott, Sterling Hayden
Drama | Thriller | War
    1 2 3 4 5 6 7 8 9 10 5.6/10 X  

Four soldiers trapped behind enemy lines must confront their fears and desires.

Director: Stanley Kubrick
Stars: Frank Silvera, Kenneth Harp, Paul Mazursky
Crime | Drama | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

In the future, a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.

Director: Stanley Kubrick
Stars: Malcolm McDowell, Patrick Magee, Michael Bates
Adventure | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

Humanity finds a mysterious, obviously artificial object buried beneath the Lunar surface and, with the intelligent computer H.A.L. 9000, sets off on a quest.

Director: Stanley Kubrick
Stars: Keir Dullea, Gary Lockwood, William Sylvester
Drama | War
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

Director: Stanley Kubrick
Stars: Matthew Modine, R. Lee Ermey, Vincent D'Onofrio
Edit

Cast

Cast overview, first billed only:
... Prof. Humbert Humbert
... Charlotte Haze
... Lolita
... Richard T. Schiller
Jerry Stovin ... John Farlow
Diana Decker ... Jean Farlow
... Nurse Mary Lore
... Physician
Bill Greene ... George Swine
... Mrs. Starch
... Vivian Darkbloom
Marion Mathie ... Miss Lebone
James Dyrenforth ... Frederick Beale Sr.
Maxine Holden ... Miss Fromkiss
John Harrison ... Tom
Edit

Storyline

Humbert Humbert forces a confrontation with a man, whose name he has just recently learned, in this man's home. The events that led to this standoff began four years earlier. Middle aged Humbert, a European, arrives in the United States where he has secured at job at Beardsley College in Beardsley, Ohio as a Professor of French Literature. Before he begins his post in the fall, he decides to spend the summer in the resort town of Ramsdale, New Hampshire. He is given the name of Charlotte Haze as someone who is renting a room in her home for the summer. He finds that Charlotte, widowed now for seven years, is a woman who puts on airs. Among the demonstration of those airs is throwing around the name of Clare Quilty, a television and stage script writer, who came to speak at her women's club meeting and who she implies is now a friend. Those airs also mask being lonely, especially as she is a sexually aggressive and liberated woman. Humbert considers Charlotte a proverbial "joke" but ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

For Persons Over 18 Years Of Age See more »

Genres:

Crime | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

|

Language:

| | |

Release Date:

21 June 1962 (West Germany)  »

Also Known As:

Лолита  »

Filming Locations:

 »

Edit

Box Office

Budget:

$2,000,000 (estimated)

Gross USA:

$9,250,000
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.66 : 1
See  »
Edit

Did You Know?

Trivia

DIRECTOR_CAMEO(Stanley Kubrick): In the opening minutes of the film, as the shot dissolves to the mansion interior, just before Humbert opens the door, Kubrick makes an unintentional cameo, walking out of the shot. See more »

Goofs

When Humbert is considering shooting Charlotte while she supposedly is taking a bath, he uncorks and drinks from a liquor bottle, tossing the cork onto the end table. Seconds later he is shown with the same cork in his left hand, which he then places on the end table. See more »

Quotes

[first lines]
Humbert Humbert: Quilty! Quilty?
Clare Quilty: Ah, wha? Who's there?
Humbert Humbert: Are you Quilty.
Clare Quilty: No, I'm... Spartacus. You come to free the slaves or sumpn?
Humbert Humbert: Are you Quilty?
Clare Quilty: Yeah, yeah, I'm Quilty, yeah, sure.
See more »

Crazy Credits

and introducing Sue Lyon See more »

Connections

Referenced in Password All-Stars: Carol Channing vs. James Mason (1962) See more »

Soundtracks

There's No You
(uncredited)
By Tom Adair and Hal Hopper
See more »

Frequently Asked Questions

See more »

User Reviews

 
One of the must see films in the crop of ultra pitch black comedies about male insecurity and youth
4 November 2004 | by See all my reviews

I have seen both versions of Lolita now. The 1997 version, directed by Adrian Lyne, certainly has it's merits, and is headed by two very good leads in Irons and Swain. But it is this, Stanley Kubrick's adaptation, that I prefer overall. Kubrick said in an interview after the film's release, "Had I known what I would've had to cut out, I probably wouldn't of made the film." It's a surprising irony though that what had to be suppressed or changed from the book works to his advantage. Like other works under the master's belt, this has some comedy that is so dark that you almost (or do) feel guilty after laughing. The innuendo, even decades later, is still as provocative. And when it gets disturbing, it doesn't go too far over the line. I have not read the book, but I have heard much about it, what was different, and I think Kubrick at least is most successful at infusing his trademark touches to the material.

For starters, there is the acting. Like with for example Full Metal Jacket, the supporting actors somehow outrank the leads. This is not to say that James Mason (Humbert Humbert) and Sue Lyon (Dolores "Lolita" Hayes) are not highly believable in their parts. But in looking at Peter Sellers in his multiple roles via the curious, insanely oddball Quilty, and Shelley Winters as Lolita's mother, they are simply flat-out brilliant (I would choose a better word if I could, believe me). Right from the first scene, which happens to take the last scene of the story in place, Sellers doesn't have me for a second thinking that he isn't perfectly off-the-wall. As was in Dr. Strangelove, his contributions to the project are incalculable. Winters, on the other hand, finds that balance with Mrs. Hayes as a lonely middle-aged woman looking for companionship, though unable to shake her over-protective tendencies.

As for Mason and Lyon, their scenes together are at the least a little overtly melodramatic (which might have been the idea, it may take another few viewings to really grasp the weight of their performances) and at best helps define what the film is about. Mason finds the right notes, if a little anxiously and stuffy at times, in how Humbert is almost like a kid trying to break out of his middle-aged professor image. When he meets Lolita he's awestruck, and falls for her hard, very hard, which sets up what happens to the two of them for the rest of the film. What is even more interesting is how the dynamic is placed with Lolita, who is wiser in ways Humbert is not, and how the sort of idea of mutual youth is tempting, but definitely not everlasting. As the film unfolds it's third act, the film becomes an intense kind of morality tale, where male insecurities are touched upon with Humbert, and even Quilty to a degree. Kubrick, being one of the finest of dramatic character psychologists, hardly skips a beat in making sure not to lose the strange bits (which must be some of the better bits in Nabokov's text) with humor.

Then there is the most rewarding thing of all in a Kubrick film, which is seeing how he photographs the scenes and characters. It holds some of the moves and angles and lighting he's held to for all of his career (some shots show as a precursor to Eyes Wide Shut perhaps), and how the camera stays on the characters in many scenes (actually, almost all the scenes) adds that right tension and space between us and them. If anything else, just watch the film for the sake of watching a film moving and staying put and capturing faces in particular ways. Lolita, in the end, may not be one of my very favorite Kubrick films (though only time and repeat viewings will tell), but it's certainly worth a viewing. Some Kubrick fans may come to this after seeing the essentials like 2001, the Shining, or Clockwork Orange, however it could come as being a favorite in some circles. It certainly is, for my money, as enticing and intriguing a sexual satire I've seen in many a moon.


127 of 171 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 224 user reviews »

Contribute to This Page

Stream Popular Sci-Fi Titles With Prime Video

Explore popular sci-fi movies and TV shows available to stream with Prime Video.

Start your free trial