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The Killing (1956)

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Crooks plan and execute a daring race-track robbery.

Director:

Stanley Kubrick

Writers:

Stanley Kubrick (screenplay), Jim Thompson (dialogue) | 1 more credit »
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Nominated for 1 BAFTA Film Award. See more awards »

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Cast

Cast overview, first billed only:
Sterling Hayden ... Johnny Clay
Coleen Gray ... Fay
Vince Edwards ... Val Cannon
Jay C. Flippen ... Marvin Unger
Ted de Corsia ... Patrolman Randy Kennan (as Ted DeCorsia)
Marie Windsor ... Sherry Peatty
Elisha Cook Jr. ... George Peatty (as Elisha Cook)
Joe Sawyer ... Mike O'Reilly
James Edwards ... Track Parking Attendant
Timothy Carey ... Nikki Arcane
Kola Kwariani Kola Kwariani ... Maurice Oboukhoff
Jay Adler ... Leo the Loanshark
Tito Vuolo ... Joe Piano
Dorothy Adams ... Ruthie O'Reilly
Herbert Ellis Herbert Ellis ... Second American Airlines Clerk
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Storyline

After just being released from a five year stint in prison, Johnny Clay has assembled a five man team, including two insiders, to carry out what he estimates will be a $2 million heist at Lansdowne Racetrack, that take, minus expenses, to be split five ways. Besides Johnny, none of the men truly are criminals in the typical sense. In addition to the other four team members, Johnny has hired two men external to the team to carry out specific functions for a flat fee, the other four who will not meet the two men for hire or know who they are, while the two men for hire will not be told of the bigger picture of the heist. None involved are to tell anyone, even their loved ones, about the job, each of the five who has a specific reason for wanting his share of the money: Johnny, in wanting to get married to his longtime girlfriend Fay, the two who have known each other since they were kids, realizes that to live comfortably, he has to shoot for the moon instead of carrying out the penny ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

...In All Its Fury and Violence See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM

Country:

USA

Language:

English

Release Date:

6 June 1956 (USA) See more »

Also Known As:

Bed of Fear See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$320,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list. See more »

Goofs

During the robbery you clearly see that a significant amount of the money is in neatly banded bundles of brand new crisp bills yet when it is transferred from the dufflebag to the suitcase all of the money is loose, unstacked & well used. See more »

Quotes

[first lines]
Narrator: At exactly 3:45 on that Saturday afternoon in the last week of September, Marvin Unger was, perhaps, the only one among the hundred thousand people at the track who felt no thrill at the running of the fifth race. He was totally disinterested in horse racing and held a lifelong contempt for gambling. Nevertheless, he had a $5 win bet on every horse in the fifth race. He knew, of course, that this rather unique system of betting would more than likely result in a loss, but he didn't...
See more »

Connections

Edited into Hai-Kubrick (1999) See more »

Frequently Asked Questions

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User Reviews

A crime classic, and a monument for actor Elisha Cook, Jr.
9 July 2001 | by frank_olthoffSee all my reviews

The story of a meticulously-planned race track hold-up is a stunner in every minute you watch it, and the film's progressive use of a partly documentary style has often been acclaimed as uniquely supporting the dramatic goings-on. It definitely put a modern touch to the somewhat out-of-fashion film noir in 1956, but still greatly relied on its basic rules.

A fine new note was the neat distinction between the gang's members' motives, ranging from repaying underworld debts (De Corsia) and hope of offering a better life for his ill wife (Sawyer) to the vain ambition of pleasing his vamp wife by doing something special (Cook).

Despite the film's qualities, Kubrick's treatment of the women's rôles seems more than old-fashioned today. Women here are either the homely and sweet type (Coleen Gray) or the Bette-Davis-eyed and cherchez-la-femme type (Marie Windsor). Both are accordingly taller or smaller than their respective partners by a head.

I should like to mention one of my favourite pans: that's when the bald philosopher-catcher walks up to Joe Sawyer's bar. Lucien Ballard's camera follows him all across the crowded tote hall, a take which must have been very difficult to organize and shoot. Later, the scene is repeated with Sterling Hayden.

This motion picture is also a monument for the great histrionic art of Elisha Cook, Jr., in a stand-out performance as the born loser. (German dubbing gives him the apt voice of Stan Laurel's speaker Walter Bluhm.) This little man never just did his job in unnumerable supporting rôles but has rendered effective homage to the tragic figure on the silver screen more than any other (non-comical) character actor I can think of. Regardless of his versatility in lots of different films, his impersonations of a likeable man who is doomed to fail make him unforgettable: take his lethal parts in "Phantom Lady" (1944), "Shane" (1953) or the likes, the audience's sympathy was always with this fine actor.


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