Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a monoplane. The priestly ... See full summary »
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Prize-fighter Davy Gordon intervenes when private dancer Gloria Price is being attacked by her employer and lover Vincent Raphello. This brings the two together and they get involved with each other, which displeases Raphello. He sends men out to kill Davy, but they instead kill his friend. Gloria is soon kidnapped by Raphello and his men, and it is up to Davy to save her.Written by
Leon Wolters <[email protected]>
Unable to record the film's dialogue on-set due to technical problems, Stanley Kubrick was forced to post-sync all of this film's dialogue and sound effects. Veteran soundman Nathan Boxer was hired to record sound. However, after his boom mike and pole created many shadows, the inexperienced Kubrick was forced to fire him and his sound crew. Irene Kane was unavailable to add her dialogue later, so radio actress Peggy Lobbin voiced her role. See more »
When Vinnie drives Davy to the loft, they take a lift up to at least the second floor. However, when Davy jumps through the loft window, he falls only one story. See more »
Killer's Kiss is a 1955 movie produced, directed and written by a 27 year old Stanley Kubrick. Coming off the heels of a poorly received first effort, 1953's Fear and Desire, Kubrick stormed back with an interesting little story set in the heart of New York City. The film's protagonist Davy Gordon, is a struggling local boxer who gets involved with a woman, Gloria Price who's ex, Vincent Rapallo hasn't let go of her yet. Kubrick slowly, and movingly, shows the two principals taking the downgrade: Davy fighting a losing bout in the ring while Gloria is trying to push off some heavy passes from Rapallo.
While the pair try to flee the city, Rapallo and his henchmen foil there escape. Price meanwhile, has changed her mind and decides she's better off with a real man, Rapallo. In the thrilling climax, Gordon and Rapallo battle it out in a run-down mannequin factory which foreshadows his technique shown in later masterpieces.
"Killer's Kiss" was a first-class suspense film that foreshadowed conscious and technique that Kubrick was to take to the limit in later years. After all, the ending was fair enough for the Fifties. Out of a possible 5 stars, I give young Stanley Kubrick's "Killer's Kiss" 4 stars.
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