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The Wages of Fear (1953)

Le salaire de la peur (original title)
Not Rated | | Adventure, Drama, Thriller | 16 February 1955 (USA)
In a decrepit South American village, four men are hired to transport an urgent nitroglycerine shipment without the equipment that would make it safe.

Writers:

Georges Arnaud (novel), Henri-Georges Clouzot (adaptation) (as H.G. Clouzot) | 1 more credit »
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Top Rated Movies #203 | Won 1 BAFTA Film Award. Another 5 wins. See more awards »

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Cast

Complete credited cast:
Yves Montand ... Mario
Charles Vanel ... M. Jo
Folco Lulli Folco Lulli ... Luigi
Peter van Eyck ... Bimba (as Peter Van Eyck)
Véra Clouzot ... Linda (as Vera Clouzot)
William Tubbs William Tubbs ... Bill O'Brien
Darío Moreno ... Hernandez (as Dario Moreno)
Jo Dest Jo Dest ... Smerloff
Antonio Centa ... Camp Chief (as Centa)
Luis De Lima Luis De Lima ... Bernardo
Grégoire Gromoff Grégoire Gromoff
Joseph Palau-Fabre Joseph Palau-Fabre
Faustini Faustini
Seguna Seguna
Darling Légitimus Darling Légitimus ... (as Miss Darling)
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Storyline

In the South American jungle supplies of nitroglycerin are needed at a remote oil field. The oil company pays four men to deliver the supplies in two trucks. A tense rivalry develops between the two sets of drivers and on the rough remote roads the slightest jolt can result in death. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Pictured in Life Magazine as Picture of the Week (original USA/Canada posters) See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Italy

Language:

French | English | Spanish | German | Italian | Russian

Release Date:

16 February 1955 (USA) See more »

Also Known As:

The Wages of Fear See more »

Filming Locations:

Poulx, Gard, France See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut) | (director's cut) (2017 restoration)

Sound Mix:

Mono (Western Electric)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Accusations of anti-Americanism led to the US censor cutting several key scenes from the film. See more »

Goofs

When Bimba is shaving in the cab of the truck, he has the right side of his face covered in shaving cream, but he when he turns to talk to Luigi the right side of his face is clear of shaving cream. See more »

Quotes

Dick: When I was a kid, I used to see men go off on this kind of jobs... and not come back. When they did, they were wrecks. Their hair had turned white and their hands were shaking like palsy! You don't know what fear is. But you'll see. It's catching, it's catching like small pox! And once you get it, it's for life! So long, boys, and good luck.
See more »

Alternate Versions

The original uncensored release in France ran 152 minutes. The so-called "director's cut" runs 148 minutes. See more »

Connections

Remade as Atash-e jonoob (1976) See more »

Soundtracks

The Blue Danube
Composed by Johann Strauss
See more »

Frequently Asked Questions

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User Reviews

 
One of the greatest movies ever made
6 October 2005 | by barleekuSee all my reviews

This movie is astonishing, a gritty story filmed in an ultra-real style that relies simply on the beauty of lighting and film to achieve its stunning effects. It seems from another world, which in a way, it is. The acting is superb: Montand's Mario is full of jerky movements and intense impulses but always maintains his Gallic savoir-faire, while Charles Vanel as Jo brings, at first at least, a type of macho to the screen that modern movie-makers simply do not comprehend. The rest of the cast, especially the camp chief, Luigi, and Peter van Eyck as Bimba are incredible, as is Vera Clouzot who is incomprehensibly but believably upbeat and innocent - and totally gorgeous - in the midst of the hellhole of a town they're all stuck in. Clouzot's directing is flawless - I don't think anyone has ever squeezed more tension with just a few essential scene elements. The trucks wheeze and grunt as well as they ever have in the movies - the only comparison is Spielberg's early gem, "The Duel", but Clouzot's automotive cinematics outdo even Spielberg. The stripped down existentialism of the characters, the starkness of their shared dilemma, the grim and grimy scenery, and the cinematography itself are all of a piece. The latter is what elevates this movie to the very top rank, including some of the most dramatic and effective black and white shooting I've ever seen. Yet it never becomes mannered or gratuitous - it is orchestrated with the rise - and rise! - of tension in the film. The final scene takes on a surreal as opposed to ultra-realistic quality that has its own logic. One last word about the acting - we don't see anything like it anymore. The self-conscious mannerism of method acting (which has had its own triumphs) and the toxic awareness of everyone from the actors to the audience, the camera, directors, etc. that each actor is a celebrity and potential artiste, has ruined that conviction that actors were once larger than life people before they went on-screen, that they came to acting as an outcome of living rough, unadorned, and yet imaginative lives as opposed to shooting for fame and fortune and celebrity within an artificial corporate star-making incubator.


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