Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a monoplane. The priestly ... See full summary »
A ficticious war in an unidentified country provides the setting for this drama. Four soldiers survive the crash-landing of their plane to find themselves in a forest six miles behind enemy lines. The group, led by Lt. Corby, has a plan: They'll make their way to a nearby river, build a raft, and then, under cover of night, float back to friendly territory. Their plans for getting back safely are sidetracked by a young woman who stumbles across them as they hide in the woods, and by the nearby presence of an enemy general who one member of the group is determined to kill.Written by
Eugene Kim <firstname.lastname@example.org>
When Mac looks from the raft to the house, there are no people in front of it. However. the close shot shows four guards. See more »
[Private Sidney impulsively hugs the Young Girl, who's tied to a tree]
If you have to hate me, please try to like me also.
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Blu-ray Disc releases in America also include The Seafarers, a short film from Kubrick, as a bonus feature. The European Masters of Cinema release also includes two additional shorts, Day of the Fight and Flying Padre. See more »
Quite a few people claim to have seen this film, but anybody who tell you that it is not as bad as Kubrick would lead you to believe is flat-out lying about having seen the film. Kubrick is the greatest artist of the last couple centuries, but this film is BAD. Not Kubrick bad, but Ed Wood bad. There are lines like, "I felt fear. Fear I hadn't felt since I kissed my dying grandmother." And the whole thing looks like it was made in somebody's backyard.
There is one thing funnier than this film: the trailer! It was shown with the film at the George Eastman House, and trust me, if you ever get the chance to see it, the trailer alone is one of the most hilarious pieces of film you will ever see. It's a gem!
"Fear & Desire" should be seen, if only to show how an awful, pretentious young filmmaker can flourish to such heights as "Dr. Strangelove," "2001," and "Barry Lyndon." Interestingly enough, the Eastman House print (one of the two still in existence, I believe) was short the film's official running time by a couple of minutes, and there are a few unlikely jump-cuts in the film, which leads one to believe that Kubrick himself cut this film a bit, as he did with "The Shining." However, the other remaining print is the original camera negative, which is stored somewhere out of the country. I would kill to get my hands on that print.
If you get a chance to see this film, do so, and see Kubrick's genesis, and how far he came.
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