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Citizen Kane (1941)

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Following the death of a publishing tycoon, news reporters scramble to discover the meaning of his final utterance.

Director:

Orson Welles

Writers:

Herman J. Mankiewicz (original screen play), Orson Welles (original screen play)
Popularity
1,135 ( 6)
Top Rated Movies #72 | Won 1 Oscar. Another 9 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Joseph Cotten ... Jedediah Leland / Screening Room Reporter
Dorothy Comingore ... Susan Alexander Kane
Agnes Moorehead ... Mary Kane
Ruth Warrick ... Emily Monroe Norton Kane
Ray Collins ... James W. Gettys
Erskine Sanford ... Herbert Carter / Screening Room Reporter
Everett Sloane ... Mr. Bernstein
William Alland William Alland ... Jerry Thompson
Paul Stewart ... Raymond
George Coulouris ... Walter Parks Thatcher
Fortunio Bonanova ... Matiste
Gus Schilling ... The Headwaiter / Screening Room Reporter
Philip Van Zandt ... Mr. Rawlston
Georgia Backus ... Miss Anderson
Harry Shannon ... Kane's Father
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Storyline

A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud". The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world. Written by Zack H.

Plot Summary | Plot Synopsis

Taglines:

It's Terrific! See more »

Genres:

Drama | Mystery

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

5 September 1941 (USA) See more »

Also Known As:

American See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$839,727 (estimated)

Opening Weekend USA:

$216,239, 5 May 1991, Limited Release

Gross USA:

$1,585,634
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The scene with Charles Bennett and the "chorus girls" was supposed to have taken place in a brothel, but the Hays Office would not allow it. That didn't bother Orson Welles too much, as he knew the brothel setting would draw their attention away from other elements of the script he knew they would object to, which was why he had introduced it in the first place. See more »

Goofs

In the aquarium, a wire holding the 'octopus' is visible. See more »

Quotes

[first lines]
Charles Foster Kane: Rosebud...
See more »

Crazy Credits

The film's opening title card is presented in complete silence, briefly with no music. See more »

Alternate Versions

Some of the Turner prints have the famous RKO logo removed and replaced with the Turner logo. See more »

Connections

Referenced in In a Lonely Place (1950) See more »

Soundtracks

A Poco No
(1935) (uncredited)
Music by Pepe Guízar
Lyrics by Herman Ruby
See more »

Frequently Asked Questions

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User Reviews

CITIZEN KANE may let some people down, but it's still worth seeing.
2 May 2004 | by CowmanSee all my reviews

It's a difficult undertaking for someone of my generation to watch a film like CITIZEN KANE. Not because it's "too old" or "too boring", but because it has been hailed--almost universally--as the single best motion picture ever made. And while the anticipation of seeing a film with such overwhelming acclaim may be quite exhilarating, actually watching it is ultimately an intimidating and somewhat disappointing experience.

This isn't to say that I thought CITIZEN KANE was a bad film; in fact, I thought everything about it was downright brilliant. From the enchanting performances right down to the meticulously planned camera movements and clever lighting tricks, there isn't a single element of CITIZEN KANE that isn't a stunning achievement in all areas of filmmaking.

CITIZEN KANE's storyline is deceptively simple. Even though the plot unfolds by jumping in and out of nonlinear flashbacks, it is surprisingly easy to keep track of. The straightforwardness and relatively fast pace of the story are what make it seem intimidating. Because everything moves smoothly along without any standstill, it feels like we are being fooled-like there is something much greater that we just can't seem to grasp. As a first-time viewer, I knew from its reputation that there must be *something* that separates this movie from all the others; something buried within its simple plotline that everybody else has seen, but that I just could not seem to get a handle on. And then, during those final frames, that something was revealed, and it all began to make sense. To me, it was these moments of confusion and uncertainty followed by a sense of enlightenment and appreciation that made watching CITIZEN KANE such a meaningful experience.

But no matter how great of a movie CITIZEN KANE really is, it can never live up to one's expectations. Although I do feel that it is deserving of its acclamation, the constant exposure to its six decades worth of hype and praise will invariably set most modern viewers' standards at a height that is virtually unreachable--even if it really *is* the best movie of all time.


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