Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home to Kansas and help her friends as well.
In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage.Written by
As Dorothy is being followed by all the Munchkins singing "You're off to see the Wizard", when she passes the damaged farmhouse, you can see in the background a lone munchkin (?) woman, standing on the steps to the houses, watching the scene, she then turns and walks up the steps and vanishes. See more »
She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
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The Oz characters that Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr and Margaret Hamilton play are not actually listed in the cast list at the end; only their Kansas counterparts are. However, Billie Burke (who plays only Glinda the Good Witch) and Pat Walshe, who plays only Nikko, the Head Monkey, *are* listed in the closing credits as having played those characters. See more »
Original preview versions of "The Wizard of Oz" ran several minutes longer than the current version. These are the scenes that were cut or shortened to reduce the running time. These scenes were never included in any officially released version of the film:
During the "If I Only had a Brain" sequence, there was originally a spectacular dance that Ray Bolger performed. In the film as officially released, he sings the first and second verses of "If I Only had a Brain", then falls over comically. In the original cut, though, he sings the first and second verses, begins to dance, and eventually a crow takes a large portion of his straw. The scarecrow then flies in the air to get it back, which he does. Then, he does some splits (forward and backward), and then a pumpkin rolls down the road. When it goes through the scarecrow's legs, he is thrown high into the air. Now, he comes down, bounces against the fences, sings a third verse of "If I Only Had a Brain", then falls down. The unedited Ray Bolger Scarecrow dance sequence can be seen in the film 'That's Dancing (1985)'.
A scene where the Wicked Witch of the West turns the tin man into a bee hive (as she threatened to do) was cut out for the current version. The cut was covered by flipping the image of the following shot, so that the characters would appear to be in the same positions.
During the "Lions and Tigers and Bears" scene, those words are said several more times than in the current version.
There was originally a scene where the Witch sends a pink and blue bug (known as the "Jitterbug") into the haunted forest "to take the fight out of" Dorothy and her friends. When the Jitterbug bit one of the characters, heshe would start dancing helplessly. This is perhaps the most famous deleted scene of them all, but the actual footage no longer exists. All there is left of the "Jitterbug" scene is home movies that the composer, Harold Arlen, filmed during rehearsals, and the sound track of the song.
A reprise of "Over the Rainbow" which Dorothy sings while locked in the witches castle was cut. Only the soundtrack of the number survived.
The NBC Peacock began unfolding its wings. "The following program is brought to you in living color--with portions in black & white--on NBC." That exclusive intro began my exposure to color television at Grandma's in 1968. When Dorothy stepped out into Technicolor, I'll bet my eyes just popped.
This is the Movie of All Time, folks--a status achieved during its long run as a huge annual TV event during that classic era whose programs now show up on TV Land network. In the 1970s, Peter Marshall once read the answer on Hollywood Squares as to the program seen more times by more people than anything else ever shown on television. It was "Oz." Likewise, no movie has the hold on popular culture that this one does. What lion character ever since (i.e., Snagglepuss) hasn't been an impersonation of Bert Lahr going, "Put 'em up, put 'em uuuuup!"
Few musicals offer an equal combination of lovable music and engaging story. Perhaps "The Sound of Music." Hard to think of many Hollywood musicals where the story gets as serious as it does here when the Witch informs Dorothy that, "The last to go will see the first three go before her...and her mangy little dog too!" Yikes! In contrast, even the best of other Hollywood musicals seem to serve up fluffy, forgettable story lines that are mere backdrop to the song numbers that typically put the plot on hold.
I can't say that "Oz" doesn't have technical flaws or story element inconsistencies. It's just that the astonishing production values all around so overwhelm the shortcomings. The tornado sequence is a 1939 special effects tour de force--incredible. And the Nutcracker-quality musical score offers songs tastefully interwoven with the action. Certain numbers like "Merry Old Land of Oz," I never get tired off, though I like each of the songs.
Oz should be viewed in the lightness of spirit that it deserves. I mean look, we have Frank Morgan as the Emerald City gatekeeper, then seconds later as the cabbie with the Horse of a Different Color, then the Wizard's palace guard, and then the voice of fire-and-smoke Wizard of Oz who bellows, "Step forward, Tin Man!" What other film could put an actor go through 4 quick-changes within 10 minutes to such an endearing result? "Oz" is as magic as those sparkling ruby shoes.
The early Technicolor process utilized triple nitrate negative strips--separately recording each primary color in light. This was done due to the lack of a suitable "color film" in 1939. That would quickly change--but films from years following suffered from hues that faded with the years, even original negatives. Because "Oz" was actually filmed on a black-and-white base film, the negatives never faded. So now we have home videos/DVDs of breathtaking color quality. Now, the tinted filters in the cameras that separated the colors onto the negative strips meant that intense illumination was required, rendering the filming experience miserably hot for the actors involved, especially Lahr. But they all hold up amazingly well.
"Oz" has a valuable message. As the pop group America once said, "No, Oz never did give nothin' to the Tin Man....that he didn't, didn't already have." If we have truly search, we can find within us--or create through trial, like the Lion's courage--what we think we most lack. The Wizard (like the Lord) helps those who find help within themselves.
I feel sorry for the Almira Gulches who can't treasure this film experience. They need to visit the Emerald City to get their own ticking Testimonials and find their hearts.
Didn't bring your broomsticks with you? Well, I'm afraid you'll have to walk.
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