The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Chaplin's last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital - When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.Written by
Colin Tinto <firstname.lastname@example.org>
The department store sequence originally had a scene where the Tramp lets one of the ex-factory workers clean out the goods from the silverware department of the store. However, Charles Chaplin later felt this made the petty larceny The Tramp abets too serious a crime, as opposed to stealing food to survive, and he removed it from the final edit. See more »
(at around 14 mins) When Chaplin falls from the conveyor belt into the machinery, you can see that he drops at least one of the wrenches but then has both when he tightens the nuts on the large gear. See more »
Chaplin's "Modern Times" has influenced the 20th century as much as any other film could have. His portrayal of man vs. machine, individual vs. group, love vs. industry...is the framework of classic modern American "anti-progressive" thinking. Gilliam's "Brazil" is the late century equivalent. But Chaplin hit it right first, insuring generations would have the chance to relate to the challenges of their own modern times.
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