Chaplin's last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital - When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.Written by
Colin Tinto <email@example.com>
He stands alone as the greatest entertainer of modern times! No one on earth can make you laugh as heartily or touch your heart as deeply...the whole world laughs, cries and thrills to his priceless genius! See more »
According to a fall 1935 issue of Variety, Charles Chaplin was expected to run behind schedule on the release of the movie, as he tweaked the soundtrack. He also wanted to chop over 1,000 feet of film from his then existing cut. See more »
Two plates of food on The Bellows Feeding Machine change, after two hex nuts are unscrewed from one part of the machine. See more »
The laserdisc edition contains an extra scene that the film was never released with. An extra verse of the Tramp's gibberish song "Titina" appears (33 seconds in length) at Chapter 13: frames 36235 - 37009 which corrects a continuity jump. This was obviously a last minute removal on Chaplin's part, before the initial release, but was never removed from his 35mm lavender preservation masters which were used to master the laserdisc. The last verse of the Tramp's gibberish song is also shown as a deleted scene on the Chaplin Collection version of Modern Times and with lyrics to it as a karaoke piece. See more »
Long after most people thought the silent movie had been buried forever, Chaplin brought his "Little Fellow" out of mothballs for one more magnificent motion picture. The Tramp is trapped in a factory, performing mind-numbing repetitive tasks, and finally he goes hilariously berserk. I started laughing the instant I saw the lady in the dress with the buttons. Like "City Lights," this film is a collection of charming vignettes, this time revolving around The Tramp's desire to settle down with gamin Paulette Goddard. From the Tramp's encounter with an assembly-line "feeding machine" to his unsuccessful stints as night watchman and waiter, this movie is packed full of delights. Chaplin never speaks, but he does sing a little. This work of genius can make you smile though your heart is breaking.
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