Fate of the Furious filmmaker F. Gary Gray is directing the movie, written by Iron Man screenwriters Matt Holloway and Art Marcum. The studio has the film dated for June 14, 2019.
Hemsworth and Thompson are not playing the same alien-fighting and world-saving characters portrayed by Will Smith and Tommy Lee Jones in the initial trilogy. The new movie is set in the same on-screen world, however.
Plot details and what characters Hemsworth and Thompson are playing are being kept ...
The film, based on the Laura Kaplan’s book “The Story of Jane: The Legendary Underground Feminist Abortion Service,” will tell the true story of a Chicago woman who founded and ran Jane, an underground abortion service.
Kimberly Peirce (“Boys Don’t Cry”) will direct and John Lesher (“Birdman”) will co-produce the film.
Jane was a group in the late ’60s and early ’70s run by women who taught themselves how to perform abortions before Roe v. Wade made it legal. They helped more than 11,000 women get access to services denied by the medical community. Williams will play the role of Jenny, who founded Jane.
Lionsgate has won a bidding war to pick up the title, an Image Comic from writer Gerry Duggan and artist David O’Sullivan. Condal will write the script while Stahelski will direct. 87eleven, the production banner run by Stahelski and fellow action maestro David Leitch, will produce.
The package hit studios over the weekend, generating multiple offers. In the end, Lionsgate, which is behind the Wick movies, flexed its might, wanting to keep Stahelski in is ...
The streaming service and A+E Studios are close to a deal, sources tell Variety, that would see the fourth season, which has already been shot, air in its initial window on Hulu. The agreement would see Hulu pay an additional fee on top of it was already set to pay for subscription video on-demand rights for the season.
Hulu is, through a previous agreement with producer A+E Studios, the exclusive Svod home for the series, with seasons
The project was developed by Skydance from a script by Deadpool screenwriters Paul Wernick and Rhett Reese. Bay and Skydance announced in March their intentions to make the film together, with Skydance’s David Ellison, Dana Goldberg, and Don Granger will produce Six Underground along with Bay.
Wme reps Bay and Reynolds, the latter of whom comes off a $300 million global opening for Deadpool 2.
As for Netflix, this is the latest big project to come along even as some media and the Cannes Film Festival put out a vibe to try and marginalize its movie initiatives.
“The Mitchells Vs. The Machines” will be an animated comedy from producers Lord and Miller, set for release on January 10, 2020.
The Mitchells are a dysfunctional, loving family whose road trip gets interrupted by a tech uprising. All around the world, devices we love like phones and self-driving cars turn on humanity, and the Mitchells have to work past their problems to save the world.
Mike Rianda is directing the film. He also wrote the screenplay with co-director Jeff Rowe. Lord and Miller produce alongside Kurt Albrecht.
Miller and Lord’s credits include “The Lego Movie” and “21 Jump Street.” They also have an executive producing credit on the upcoming “Solo: A Star Wars Story
The post Charlize Theron is Megyn Kelly for the Untitled Jay Roach Film appeared first on Film School Rejects.
“I was his 1st Ad [first assistant director] in 1995 when working on ‘Too Late,’ which was screened in 1996 Cannes main competition,” Giurgiu recalls. “I learned everything from him – it was like attending a second film school.”
Pintilie’s first feature, “Sunday at 6 O’Clock,” a tragedy about two young communist lovers on the run in World War II, won him international attention in 1966.
Because of the director’s extensive background in theater, Giurgiu says, “Pintilie was an absolute master when working with actors. It was mesmerizing to observe how he achieved impressive performances by forcing
Paquin and and director Stephen Moyer will be in town with their movie “The Parting Glass,” which will be the People’s Gala film. Continuing the festival’s tradition of having a big international family picture, “Incredibles 2” will screen in Edinburgh, following in the footsteps of “Cars 3” last year and “Finding Dory” in 2016.
“Puzzle,” with Kelly Macdonald, and “Swimming with Men,” with Brydon, had already been announced as the opening and closing night movies, respectively, of the 72nd edition of the Eiff.
“From the best of up-and-coming British filmmakers to striking new cinema from around the world, we offer something for everyone: from rare access to filmmakers, live events to experience and the opportunity to see films that may never appear in the country again,
At the fest, which launches its 53rd edition in the Czech Republic’s historic spa town June 29, Levinson will also introduce his Oscar-winning 1988 Dustin Hoffman-starrer “Rain Man” and 1998’s “Wag the Dog.” The impact of Levinson’s screenwriting, including 1970s TV hits and breakout courtroom drama “…And Justice for All,” will be celebrated along with his directorial work, which launched with 1982’s “Diner” and carried on with “The Natural,” “Good Morning, Vietnam,” “Avalon” and “Bugsy.”
Karlovy Vary said that Levinson’s producing work, backing directors from Mike Newell (“Donnie Brasco”) to Neil Labute (“Possession”), has made his influence on cinema comparable with that of William Friedkin, Jerry Schatzberg,
The move is aimed at driving up subscriptions at Telefonica’s mobile and fiber-optic services in the Spanish-speaking world. But it also marks a potential milestone in the Spanish-language movie industry as Movistar + takes the lead on productions of big films that few other companies have the money or commercial logic to create.
Movistar +’s original films could prove catnip for Hollywood, which has seen big Spanish-language titles backed by broadcast networks Mediaset España and Atresmedia sometimes outearn Hollywood studio releases in Spain.
Movistar +’s inaugural film is “Mientras dure la guerra” by Amenábar, who directed “The Others” with Nicole Kidman, “Agora” with Rachel Weisz, and Oscar-winning “The Sea Inside” with Javier Bardem. Amenábar’s last movie in Spanish was
Since debuting with “In Expectation” in 1996, Zhang has made films suffused with enigmas, revolving around disappearances, sudden breakups, and other inexplicable human behavior, often showing fog enveloping Wushan, the landmark of his birthplace, to evoke a sense of mystery. Here, he uses blindness as a metaphor for the unknown, with which his protagonists grapple, while also symbolizing the director’s own struggle as he spent years trying to get this project off the ground.
The film’s mordant
While the overarching narrative is now familiar to the point of blandness, what differentiation Echevarría does achieve is largely down to the insights, observed by Pilar Sanchez Diaz’s handheld camerawork, into the rites and rituals of Spanish Roma culture. There is little mixing with the mainstream, and even those kids who go to school among the “Whiteys” (as it is translated) — meaning anyone from outside this rigorously codified and hierarchical community — are in a small minority.
Sixteen-year-old Lola (Zaira Romero) is one
The unconventional thriller from Lee Chang-dong and starring the Walking Dead star sold to Time-in-Portrait Entertainment in China, Thunderbird Releasing for the U.K. and Palace Films in Australia and New Zealand.
It has also sold to France (Diaphana Distribution), Japan (Twin), Benelux (Imagine Film Distribution), Denmark (Camera Film), Greece (Seven Films), Hong Kong and Macau (Edko Films), Norway (Arthaus), Philippines (Viva Communications), Russia and ...
Levinson won an Academy Award for Rain Man, which also picked up three other Oscars in 1989 (for Dustin Hoffman as best actor, Mark Johnson for best picture, as well as Ronald Bass and Barry Morror for best screenplay).
Levinson, who is also known for his prescient 1997 political satire Wag the Dog and other popular movies, such as Good Morning, Vietnam and ...
Sources familiar with negotiations say ESPN has struck a deal for a second portion to the package currently held by Fox Sports that will bring the total cost in the neighborhood of $300 million per year for five years, totaling $1.5 billion. The new deals, which cover a total of 30 fights per year, kick in early 2019.
Reps from ESPN, Ufc and Fox Sports could not be reached for comment.
As with their other pact, the events covered under
“The Voice” has crowned a champion for Season 14: Congratulations to Brynn Cartelli from Team Kelly!
At just 14, the singer is the youngest winner in the show’s history and will celebrate with $100,000 in prize money and a record deal with Universal Music Group.
The competition cut down to the Final 4 last week, leaving Team Adam out of the running. With both Spensha Baker and Kyla Jade, Blake Shelton had 50 percent of the remaining competitors. Kelly Clarkson had Cartelli in the running, while Alicia Keys repped the lone dude standing, Britton Buchanan.
Also Read: NBC's Fall Schedule: 'Manifest' to Follow 'The Voice,' 'New Amsterdam' Scores 'This Is Us' Lead-In
Next season, Clarkson is returning and so is Season 13 judge Jennifer Hudson. The
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.