Lionsgate has dated the film for nationwide release on November 27, 2019 for the Thanksgiving holiday corridor.
The film became possible when director Danny Boyle exited James Bond 25. While that film regrouped — Cary Fukunaga is directing it — Craig suddenly had an open slot, and Johnson and his producing partner Ram Bergman took full advantage with an Agatha Christie-style murder mystery that Johnson wrote and was able to squeeze in before he and Bergman drill down on a new trilogy in the Star Wars universe.
Rival distributors didn’t know what to expect from Once Upon a Deadpool; the film flew under the radar of tracking, and for Fox, it’s all gravy for the Deadpool brand. Not to comp because the movie catered to a completely different crowd, but the Weinstein Co.’s The King’s Speech changed its rating from R to PG-13 following its Oscar best picture win in 2011 earning $1.1M over three-days in its April re-release for a final tally of $3.3M. The whole thought process behind
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To restore the archival footage and transform it into a 24 frames-per-second, color, 3D film, Jackson turned to Stereo D, a company that specialized in converting blockbusters (Marvel and the Star Wars films) from 2D to 3D.
“One of the cornerstones that Peter was instilling in us and our artists was staying as true to the original material as we possibly could,” said Stereo D Producer Mark Simone. “So if it was photographed,
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Steven Spielberg’s Amblin Partners is producing “1917” through its DreamWorks Pictures brand. “1917” will open in limited release on Christmas Day then go wide two weeks later on Jan. 10, 2020.
Mendes wrote the script with Krysty Wilson-Cairns, and will direct and produce the film. Pippa Harris, Mendes’ partner at Neal Street Productions, will also produce with Jayne-Ann Tenggren and Callum McDougall. George MacKay (“Captain Fantastic”) and Dean-Charles Chapman (“Game of Thrones”) have been cast in the film.
Amblin Partners won a spec package auction for “1917” in June. 1917 was the fourth year of World War I, which ended on Nov. 11, 1918.
“1917” marks a reunion for Mendes and DreamWorks. The British director won an Oscar for his first feature, 1999’s “American Beauty,” and also directed “Road to Perdition” and “Revolutionary Road” for DreamWorks. Mendes also helmed “Jarhead,” “Away We Go,
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Leading the panel was Diego Trerotola, local film critic and director of Festival Asterisco. Trerotola spoke to fellow panelist, Argentine film director Albertina Carri, about the progression of her films “Barbie También Puede Estar Triste,” “Pets,” and “Las Hijas del Fuego.”
“18 years ago you made films with dolls, ten years ago with found porn footage, and now you
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There’s another way to look at this: Deja vu. Hollywood’s interest in black stories surges, and then the “renaissance” is followed by a fallow period … until the next one. It’s a pattern that strips the consistency and continuity that’s essential for lasting change.
In the late 1960s, following the Civil Rights movement and facing pressure from a socially and politically conscious black audience seeking full representations of their humanity, Hollywood responded with blaxploitation movies. (It didn’t hurt that Hollywood was in economic flux at the time.) This overdue recognition of the power of
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A couple days ago, in an interview, Momoa said that he didn’t know what was happening with Cavill in the role of Superman, after rumors and speculation said the actor has decided to hang up the blue and red tights.
Continue reading Jason Momoa Changes His Tune & Now Says Henry Cavill Is “100%” Staying In The Dceu As Superman at The Playlist.
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