39 wins & 57 nominations.
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Former staff photographer for Look Magazine.
4 Biographical Movies |
38 Print Biographies |
4 Portrayals |
6 Interviews |
58 Articles |
2 Pictorials |
2 Magazine Cover Photos |
5' 6½" (1.69 m)
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[on what advantages film has over other media] Well, for one thing I think it is fairly obvious that the events and situations that are most meaningful to people are those in which they are actually involved--and I'm convinced that this sense of personal involvement derives in large part from visual perception. I once saw a woman hit by a car, for example, or right after she had been hit, and she...
Refused to talk about his movies on set as he was directing them and never watched them when they were completed.
One of his signature shots was "The Glare" - a character's emotional meltdown is depicted by a close-up shot of the actor with his head tilted slightly down, but with his eyes looking up - usually directly into the camera. Examples are the opening shot of Alex in A Clockwork Orange
(1971), Jack slowly losing his mind in The Shining
(1980), Pvt. Pyle going mad in Full Metal Jacket
(1987) and Tom